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The Surgeon and the Photographer, 2009–2013Paper, textile, wood and metal
Dimensions variable
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Alessandro Quisi -
The Surgeon and the Photographer, 2009–2013Paper, textile, wood and metal
Dimensions variable
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Alessandro Quisi -
The Surgeon and the Photographer, 2009–2013Paper, textile, wood and metal
Dimensions variable
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Jane Hobson -
The Surgeon and the Photographer, 2009–2013Paper, textile, wood and metal
Dimensions variable
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Jane Hobson -
The Surgeon and the Photographer, 2009–2013Paper, textile, wood and metal
Dimensions variable
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Jane Hobson -
The Surgeon and the Photographer, 2009–2013Paper, textile, wood and metal
Dimensions variable
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Alessandro Quisi -
Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2013Computer generated algorithmic montage sequence
Commissioned by Barbican Art Gallery
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Alessandro Quisi -
Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2013Computer generated algorithmic montage sequence
Commissioned by Barbican Art Gallery
Installation view, The Curve Gallery, The Barbican Art Centre, London, 2013
Photo: Alessandro Quisi -
Leaves of Grass, 2012LIFE Magazines (1935–85), tall grass, wood, glue
Dimensions variable
Installation view, dOCUMENTA 13, Kassel, 2012
Photo credit Richard Kasiewicz -
Leaves of Grass, 2012LIFE Magazines (1935–85), tall grass, wood, glue
Dimensions variable
Installation view, dOCUMENTA 13, Kassel, 2012
Photo credit Anders Sune Berg -
Leaves of Grass, 2012LIFE Magazines (1935–85), tall grass, wood, glue
Dimensions variable
Installation view, dOCUMENTA 13, Kassel, 2012
Photo credit Anders Sune Berg -
Leaves of Grass, 2012LIFE Magazines (1935–85), tall grass, wood, glue
Dimensions variable
Installation view, dOCUMENTA 13, Kassel, 2012
Photo credit Anders Sune Berg -
Leaves of Grass, 2012LIFE Magazines (1935–85), tall grass, wood, glue
Dimensions variable
Installation view, dOCUMENTA 13, Kassel, 2012
Photo credit Anders Sune Berg -
Leaves of Grass, 2012LIFE Magazines (1935–85), tall grass, wood, glue
Dimensions variable
Installation view, dOCUMENTA 13, Kassel, 2012
Photo credit Rosa Maria Rühling. -
Metal Will Stand Tall (A Single Image Is Not A Splendor), 2011Found metal, LIFE Magazine cutouts, rock, wire
Dimensions variable -
Metal Will Stand Tall (A Single Image Is Not A Splendor), 2011Found metal, LIFE Magazine cutouts, rock, wire
Dimensions variable -
Mondegreen (Collaboration with Jeremy Millar), 2011Variable components and dimensions
Installation view, Mondegreen, Projects Art Centre, Dublin, 2011 -
Mondegreen (Collaboration with Jeremy Millar), 2011Variable components and dimensions
Installation view, Mondegreen, Projects Art Centre, Dublin, 2011 -
Mondegreen (Collaboration with Jeremy Millar), 2011Variable components and dimensions
Installation view, Mondegreen, Projects Art Centre, Dublin, 2011 -
Mondegreen (Collaboration with Jeremy Millar), 2011Variable components and dimensions
Installation view, Mondegreen, Projects Art Centre, Dublin, 2011 -
Mondegreen (Collaboration with Jeremy Millar), 2011Variable components and dimensions
Installation view, Mondegreen, Projects Art Centre, Dublin, 2011 -
Meditating ruminating cows. They contemplate the metamorphosis of the light from distant cosmic texture into the mater. But the cow did not keep this knowledge to herself. She delivers the benefits with her milk. (Zurich, Switzerland, in the Spring of 1919) from The Invisible Worm That Flies In The Night., 2011Variable components and dimensions -
Meditating ruminating cows. They contemplate the metamorphosis of the light from distant cosmic texture into the mater. But the cow did not keep this knowledge to herself. She delivers the benefits with her milk. (Zurich, Switzerland, in the Spring of 1919) from The Invisible Worm That Flies In The Night., 2011Variable components and dimensions -
If You Want To See Something Look At Something Else.
(Allen Ginsberg, 1926–1997) from The Invisible Worm That Flies In The Night., 2011Variable components and dimensions -
If You Want To See Something Look At Something Else.
(Allen Ginsberg, 1926–1997) from The Invisible Worm That Flies In The Night., 2011Variable components and dimensions -
If You Want To See Something Look At Something Else.
(Allen Ginsberg, 1926–1997) from The Invisible Worm That Flies In The Night., 2011Variable components and dimensions -
Imagine the Phoenix Bookstore.
(Terrence McKenna, 1992) from The Invisible Worm That Flies In The Night., 2011Variable components and dimensions -
Let’s Make The Water Turn Black, 2010–2011Mixed media installation
Stage dimensions: 289 x 360 x 90 inches (734 x 914 x 229 cm)
Installation view, REDCAT, Los Angeles -
Let’s Make The Water Turn Black, 2010–2011Mixed media installation
Stage dimensions: 289 x 360 x 90 inches (734 x 914 x 229 cm)
Installation view, REDCAT, Los Angeles -
Let’s Make The Water Turn Black, 2010–2011Mixed media installation
Stage dimensions: 289 x 360 x 90 inches (734 x 914 x 229 cm)
Installation view, REDCAT, Los Angeles -
Let’s Make The Water Turn Black, 2010–2011Mixed media installation
Stage dimensions: 289 x 360 x 90 inches (734 x 914 x 229 cm)
Installation view, REDCAT, Los Angeles -
Let’s Make The Water Turn Black, 2010–2011Mixed media installation
Stage dimensions: 289 x 360 x 90 inches (734 x 914 x 229 cm)
Installation view, REDCAT, Los Angeles -
God’s Dice, 2010Variable components and dimensions
Installation view Walter Phillips Gallery, Banff -
God’s Dice, 2010Variable components and dimensions
Installation view Walter Phillips Gallery, Banff -
God’s Dice, 2010Variable components and dimensions
Installation view Walter Phillips Gallery, Banff -
God’s Dice, 2010Variable components and dimensions
Installation view Walter Phillips Gallery, Banff -
The Vampire of Coyoacan, 2010Variable components and dimensions
Installation view, Museo Experimental El Eco, Mexico City -
The Vampire of Coyoacan, 2010Variable components and dimensions
Installation view, Museo Experimental El Eco, Mexico City -
The Vampire of Coyoacan, 2010Variable components and dimensions
Installation view, Museo Experimental El Eco, Mexico City -
The Vampire of Coyoacan, 2010Variable components and dimensions
Installation view, Museo Experimental El Eco, Mexico City -
The Vampire of Coyoacan, 2010Variable components and dimensions
Installation view, Museo Experimental El Eco, Mexico City -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
The Surgeon and the Photographer, 2009365 puppet figures, fabric, found images, metal stands, 60 wooden plinths
Each figure approximately: 17 3/4 x 5 x 5 inches (45 x 13 x 13 cm) -
Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell … (Clock), 2010Projection: computer controlled montage with sound. Source: Life Magazine 1938–1986
Dimensions variable -
I know why no one smiled at me at Schiphol Internation Airport detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
I know what it is like to fall detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
Cloud Haters and Dutch Factories detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
The fuller sense of self obtained when the self is aware of itself in relation to another self, tomb detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
Cloud Haters and Dutch Factories detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
I know why no one smiled at me at Schiphol Internation Airport detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
The sense of momentum which occurs when you travel a great distance to create something unresolved only to find the universe splitting open in its resolution, theater detail from Forgetting Air (Slow Play), 2008767 Fuselage, airplane seats, wooden chairs, pillows, wooden stage, sound system, lights, mirrors, drums, feathers, fabric, costumes, blankets, towel, shoes, string, eggs, tape, projector, video monitors, various display cases.
Dimensions variable
Installation view, Witte de With, Rotterdam, 2008 -
I’m Not Praying I’m Just Stretching, 2008–2009Candle Snuffer; abandoned Quaker style chair, taken from the streets of Boston; book: Among The Night People by Clara D. Pierson borrowed from the Library of The Beacon Hill Friends House; photograph, The Human Liberty Bell, 1918; branch from the Boston Commons from a tree used for public hangings; light socket with the embossed words Proclaim Liberty Throughout The Land; found bell inscribed with the date 1991; a bell clapper/moth feeder made from a cotton ball soaked in a solution of sugar derived from a candy taken from a Felix Gonzales-Torres work; drinking glass; vase; antique bottle; with lights; various notes.
Dimensions variable -
I’m Not Praying I’m Just Stretching, 2008–2009Candle Snuffer; abandoned Quaker style chair, taken from the streets of Boston; book: Among The Night People by Clara D. Pierson borrowed from the Library of The Beacon Hill Friends House; photograph, The Human Liberty Bell, 1918; branch from the Boston Commons from a tree used for public hangings; light socket with the embossed words Proclaim Liberty Throughout The Land; found bell inscribed with the date 1991; a bell clapper/moth feeder made from a cotton ball soaked in a solution of sugar derived from a candy taken from a Felix Gonzales-Torres work; drinking glass; vase; antique bottle; with lights; various notes.
Dimensions variable -
I’m Not Praying I’m Just Stretching, 2008–2009Candle Snuffer; abandoned Quaker style chair, taken from the streets of Boston; book: Among The Night People by Clara D. Pierson borrowed from the Library of The Beacon Hill Friends House; photograph, The Human Liberty Bell, 1918; branch from the Boston Commons from a tree used for public hangings; light socket with the embossed words Proclaim Liberty Throughout The Land; found bell inscribed with the date 1991; a bell clapper/moth feeder made from a cotton ball soaked in a solution of sugar derived from a candy taken from a Felix Gonzales-Torres work; drinking glass; vase; antique bottle; with lights; various notes.
Dimensions variable -
And Finally The Street Becomes The Main Character (Clock), 2005–2008Wooden platform, Mac mini, computer monitor, keyboard, mouse, Mini 8 channel mixing deck, cables, 7 speakers, subwoofer, various sculptural components, five works on paper
Dimensions variable -
And Finally The Street Becomes The Main Character (Clock), 2005–2008Wooden platform, Mac mini, computer monitor, keyboard, mouse, Mini 8 channel mixing deck, cables, 7 speakers, subwoofer, various sculptural components, five works on paper
Dimensions variable -
And Finally The Street Becomes The Main Character (Clock), 2005–2008Wooden platform, Mac mini, computer monitor, keyboard, mouse, Mini 8 channel mixing deck, cables, 7 speakers, subwoofer, various sculptural components, five works on paper
Dimensions variable -
The Fountain People, 2008Video projection, 10 min loop, hand written letter/ text on paper, painting
Dimensions variable -
The Fountain People, 2008Video projection, 10 min loop, hand written letter/ text on paper, painting
Dimensions variable -
Theatre of Cruelty, 2008Props, found objects, fabric, computer controlled LED lighting system, speakers, and framed photographs
Dimensions variable -
Theatre of Cruelty, 2008Props, found objects, fabric, computer controlled LED lighting system, speakers, and framed photographs
Dimensions variable -
Theatre of Cruelty, 2008Props, found objects, fabric, computer controlled LED lighting system, speakers, and framed photographs
Dimensions variable -
The Last Two Million Years, 2007Foamcore plinths, perspex frames and cutouts from selected pages of the history-book The Last Two Million Years
Dimensions variable -
The Last Two Million Years, 2007Foamcore plinths, perspex frames and cutouts from selected pages of the history-book The Last Two Million Years
Dimensions variable -
The Last Two Million Years, 2007Foamcore plinths, perspex frames and cutouts from selected pages of the history-book The Last Two Million Years
Dimensions variable -
The Last Two Million Years, 2007Foamcore plinths, perspex frames and cutouts from selected pages of the history-book The Last Two Million Years
Dimensions variable -
The Last Two Million Years, 2007Foamcore plinths, perspex frames and cutouts from selected pages of the history-book The Last Two Million Years
Dimensions variable -
The Last Two Million Years, 2007Foamcore plinths, perspex frames and cutouts from selected pages of the history-book The Last Two Million Years
Dimensions variable -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto -
A Pale Fire Freedom Machine, 2005Variable components and dimensions
Installation view, The Power Plant, Toronto
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Catriona Jeffries © 2013
274 East 1st Avenue
Vancouver, British Columbia
V5t 1a6 Canadagallery@catrionajeffries.com
+1 604 736 1554