Geoffrey Farmer – Geoffrey Farmer, Let's Make The Water Turn Black, 2013

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Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, Migros Museum für Gegenwartskunst, Zürich, 2013
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, Migros Museum für Gegenwartskunst, Zürich, 2013
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, Migros Museum für Gegenwartskunst, Zürich, 2013
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, Migros Museum für Gegenwartskunst, Zürich, 2013
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, Migros Museum für Gegenwartskunst, Zürich, 2013
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011
Geoffrey Farmer, Let's Make The Water Turn Black, 2011, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm). Installation view, REDCAT, Los Angeles, 2011

Geoffrey Farmer, Let's Make The Water Turn Black, 2013, a theatrical presentation of sculptural objects on a stage, with animatronics, audio and lighting directed by various computer programs, 289 x 360 x 90 in. (734 x 914 x 229 cm)