Raymond Boisjoly – Works

Raymond Boisjoly, After Some Imbalance, After Henri Focillon (“…escape the bondage of time.”/“…could never replace the meanest work of art.”/“…form, experience many remarkable adventures.”), 2021 solvent-based inkjet print on vinyl, grommets 3 parts, each 36 x 42 in. (91 x 107 cm), 36 x 144 in. (91 x 366 cm) installed

Raymond Boisjoly, Always Some Number of Things, 2021, beer can on wall, 118 x 148 in. (300 x 376 cm)

Raymond Boisjoly, Lucky X Lager 8, 2012–2016, solvent based inkjet print on vinyl, grommets, 72 x 48 in. (183 x 122 cm)

Raymond Boisjoly, After Some Imbalance, After Henri Focillon (“…escape the bondage of time.”/“…could never replace the meanest work of art.”/“…form, experience many remarkable adventures.”), 2021 solvent-based inkjet print on vinyl, grommets 3 parts, each 36 x 42 in. (91 x 107 cm), 36 x 144 in. (91 x 366 cm) installed

Raymond Boisjoly, Always Some Number of Things, 2021, beer can on wall, 118 x 148 in. (300 x 376 cm)

Raymond Boisjoly, Lucky X Lager 8, 2012–2016, solvent based inkjet print on vinyl, grommets, 72 x 48 in. (183 x 122 cm)

Raymond Boisjoly, Bound by (Experience), 2022, solvent-based inkjet print on vinyl, grommets, 3 parts, each 36 x 42 in. (91 x 107 cm)

Raymond Boisjoly, (Bound) by Experience, 2022, solvent-based inkjet print on vinyl, grommets, 3 parts, each 36 x 42 in. (91 x 107 cm)

Raymond Boisjoly, (Never) Quite Fully, 2022, solvent-based inkjet print on vinyl, grommets, 42 x 36 in. (107 x 91 cm)

Raymond Boisjoly, Never Quite (Fully), 2022, solvent-based inkjet print on vinyl, grommets, 42 x 36 in. (107 x 91 cm)

Raymond Boisjoly, Mistaking Writing for Speech, 2022, beer can on wall, 29 x 109 in. (73 x 277 cm)

Raymond Boisjoly, After Some Imbalance, After Ishmael Reed (“He feigns surprise.”/“Why…it’s funny that you should mention it, sir, they all call him the Race President.”), 2021, solvent-based inkjet print on vinyl, grommets, 2 parts, each 36 x 42 in. (91 x 107 cm), 36 x 93 in. (91 x 236 cm) installed

Raymond Boisjoly, After Some Imbalance, After Henri Focillon (“…escape the bondage of time.”/“…could never replace the meanest work of art.”/“…form, experience many remarkable adventures.”), 2021 solvent-based inkjet print on vinyl, grommets 3 parts, each 36 x 42 in. (91 x 107 cm), 36 x 144 in. (91 x 366 cm) installed

Raymond Boisjoly, After Some Imbalance, After Édouard Glissant (“…hands that grab their surroundings and bring them back to themselves.”), 2021, solvent-based inkjet print on vinyl, grommets, 36 x 42 in. (91 x 107 cm)

Raymond Boisjoly, After Some Imbalance, After Antonin Artaud (“…though exposed to the same light.”/“…which are perfectly conscious, intelligent and concerned.”), 2021, solvent-based inkjet print on vinyl, grommets, 2 parts, each 36 x 42 in. (91 x 107 cm), 36 x 93 in. (91 x 236 cm) installed

Raymond Boisjoly, After Some Imbalance, After Édouard Glissant (“…requirement for transparency.”), 2021, solvent-based inkjet print on vinyl, grommets, 36 x 42 in. (91 x 107 cm)

Raymond Boisjoly, After Some Imbalance, After Antonin Artaud (“in the last degree and highest level.”), 2021, solvent-based inkjet print on vinyl, grommets 36 x 42 in. (91 x 107 cm)

Raymond Boisjoly, After Some Imbalance, After Antonin Artaud and Jacques Riviere (“You have just cause for having forgotten me.”), 2021, solvent-based inkjet print on vinyl, grommets 36 x 42 in. (91 x 107 cm)

Raymond Boisjoly, Always Some Number of Things, 2021, beer can on wall, 118 x 148 in. (300 x 376 cm)

Raymond Boisjoly, having no name, 2021, inkjet print on purple paper 10 parts, each 10 x 8 in. (25 x 20 cm), 21 x 76 in. (53 x 193 cm) installed

Raymond Boisjoly, Parasite (After Michel Serres), 2021, solvent-based inkjet print on vinyl, grommets 2 parts, each 42 x 36 in. (107 x 91 cm), 52 x 72 in. (132 x 183 cm)

Raymond Boisjoly, Clinamen (After Lucretius), 2021, solvent-based inkjet print on vinyl, grommets 3 parts, each 36 x 42 in. (91 x 107 cm), 108 x 61 in. (274 x 155 cm) installed

Raymond Boisjoly, An artwork in five parts, 2019, mdf, wood, construction safety orange paint, dimensions variable

Raymond Boisjoly, Clinamen, 2019, lucky lager beer can on wall, 44 x 31 in. (112 x 79 cm)

Raymond Boisjoly, Between and Beyond, 2018, vinyl lettering, dimensions variable

Raymond Boisjoly, newer figures of another fleeting (non) relation, 2017, photocopies, staples, dimensions variable

Raymond Boisjoly, Some things remain themselves even when they change, 2017, inkjet on construction paper, dimensions variable

Raymond Boisjoly, Uneasy with the Comfort of Complexity, 2017, beer can wall rubbing, dimensions variable

Raymond Boisjoly, Lucky, 2016, 8 solvent based inkjet prints on vinyl, dimensions variable, each print, 18 x 24 in. (46 x 61 cm)

Raymond Boisjoly, Pasts still to come still to be found, 2016, vinyl lettering on solvent based inkjet print on vinyl, 65 x 57 in. (164 x 146 cm)

Raymond Boisjoly, Maybe just without and within, 2016, vinyl lettering on solvent based inkjet print on vinyl, 56 x 47 in. (141 x 119 cm)

Raymond Boisjoly, Of felt depths and a relation beyond, 2016, vinyl lettering on solvent based inkjet print on vinyl, 63 x 102 in. (160 x 258 cm)

Raymond Boisjoly, An Ongoing Modification To Processes Of Temporal Reckoning, 2016, digital print on vinyl, 144 x 180 in. (366 x 457 cm)

Raymond Boisjoly, Discrepants, 2016, solvent-based inkjet print on vinyl, grommets, dimensions variable

Raymond Boisjoly, Lucky X Lager 8, 2012–2016, solvent based inkjet print on vinyl, grommets, 72 x 48 in. (183 x 122 cm)

Raymond Boisjoly, From age to age, as its shape slowly unravelled..., 2015, solvent-based inkjet on vinyl, dimensions variable

Raymond Boisjoly, Author’s Preface, 2015, 25 solvent based inkjet prints and premixed wallpaper paste, 136 x 361 in. (346 x 917 cm)

Raymond Boisjoly, C-H-I-C-A-G-O (allium tricoccum), 2014, vinyl print, 180 x 156 in. (457 x 396 cm)

Raymond Boisjoly, Jericho (where there will be other places after), This place (where there had been other places before), 2014, colour lightjet print on dibond, dimensions variable

Raymond Boisjoly, Station to Station, 2014, 6 screen resolution lightjet print mounted on dibond, each 18 x 24 in. (46 x 61 cm)

Raymond Boisjoly, Station to Station, 2014, 5 screen resolution lightjet print mounted on dibond, each 18 x 24 in. (46 x 61 cm)

Raymond Boisjoly, Interlocutions, 2014, 10 plotter prints mounted on dibond, 10 pieces, each 16 x 24 in. (39 x 61 cm)

Raymond Boisjoly, Silent Trans-Forming, 2014, video projection on tarp, 96 x 120 in. (244 x 305 cm)

Raymond Boisjoly, Hidden Transcripts, 2013/14, vinyl on tarpaulin, 6 pieces, each 53 x 77 in. (135 x 195 cm)

Raymond Boisjoly, (And) Other Echoes, 2013, 12 screen resolution lightjet prints face mounted to gray-tinted acrylic glass, vinyl text, each 36 x 48 in. (92 x 122 cm)

Raymond Boisjoly, As It Comes, 2013, inkjet prints and staples, each 90 x 70 in. (229 x 178 cm)

Raymond Boisjoly, D’Angelo (Interval: 2000/2013) Untitled (How Does It Feel), 2013, screen resolution lightjet print mounted on dibond, each 36 x 48 in. (91 x 122 cm)

Raymond Boisjoly, Pat & Lolly Vegas (Interval: 1965/2013) Write Me, 2013, screen resolution lightjet print mounted on dibond, each 30 x 96 in. (76 x 244 cm) 

Raymond Boisjoly, Rez Gas, 2013, sunlight, construction paper, acrylic glass, each 30 x 35 in. (75 x 89 cm)

Raymond Boisjoly, Buffy Sainte-Marie (Illumination: 1969/2013) Keeper of the Fire 01, 2013, screen resolution lightjet print mounted on dibond, 96 x 40 in. (244 x 102 cm)

Raymond Boisjoly, Sly & the Family Stone (Interval: 1971/2013) Thank You (Falletinme Be Mice Elf Agin), 2013, screen resolution lightjet prints mounted on dibond, each 30 x 40 in. (76 x 102 cm)

Raymond Boisjoly, 333 Seymour Blvd. North Vancouver, BC, 2012, sunlight, construction paper, acrylic glass, blackened negative, 8 x 10 in. (20 x 25 cm)

Raymond Boisjoly, 333 Seymour Blvd. North Vancouver, BC, 2012, sunlight, construction paper, acrylic glass, blackened positive, 8 x 10 in. (20 x 25 cm)

Raymond Boisjoly, captured speech writing back: Toronto, 2012, public signage, 399 x 228 feet (1013 x 579 cm). Installation view, Tools for Conviviality, The Power Plant, Toronto, ON, 2012

Raymond Boisjoly, The Writing Lesson, 2012, sunlight, construction paper, acrylic glass, each 20 x 24 in. (61 x 51 cm)

Raymond Boisjoly, Contingent Matters, 2011, vinyl banners, each 240 x 120 in. (610 x 305 cm)

Raymond Boisjoly, Notes on Two Letters: 1958/1965, 2011, HD video projection, 4 minutes, 33 seconds

Raymond Boisjoly, All That Was Will Always Have Been, Somehow Never Again, 2010, public signage, dimensions variable

Raymond Boisjoly, Makeshift and Makeshift I, 2010, inkjet prints, painter’s tape, 60 x 108 in. (152 x 274 cm)

Raymond Boisjoly, BEGINNINGS AND LATECOMERS, 2009, stringed lights, yellow cedar, 96 x 60 x 60 in. (244 x 153 x 153 cm)

Raymond Boisjoly, Would you like to start again at the beginning?, 2008, stringed-lights, 96 x 48 x 48 in. (244 x 122 x 122 cm)

Raymond Boisjoly, Symptom of the Universe, 2007, laminated photocopies, 20 x 11 in. (41 x 51 cm)