Geoffrey Farmer –

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Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, The Drawing Room, London, UK, 2007
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, Musée d'art contemporain de Montréal, 2008
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015
Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable. Installation view, How Do I Fit This Ghost in My Mouth?, Vancouver Art Gallery, 2015

Geoffrey Farmer, The Last Two Million Years, 2007, foamcore plinths, perspex frames and cutouts from selected pages of the history book The Last Two Million Years, dimensions variable