Geoffrey Farmer – ​Geoffrey Farmer, A way out of the mirror, 2017

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Geoffrey Farmer, Drinking Fountain, 2017, tombak cast of a hole in the ground, sensor, water technics, 12 x 63 x 55 in. (30 x 160 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Drinking Fountain, 2017, tombak cast of a hole in the ground, sensor, water technics, 12 x 63 x 55 in. (30 x 160 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Drinking Fountain (detail), 2017, tombak cast of a hole in the ground, sensor, water technics, 12 x 63 x 55 in. (30 x 160 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Drinking Fountain (detail), 2017, tombak cast of a hole in the ground, sensor, water technics, 12 x 63 x 55 in. (30 x 160 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain, 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain (detail), 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain (detail), 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain (detail), 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, SFAI Fountain (detail), 2017, resin structure covered by ceramic tiles, artificial plants, acid-etched brass, waterworks, 150 x 150 x 19 in. (381 x 381 x 47 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Duvet, 2017, cast aluminum, waterworks, 28 x 47 x 79 in. (70 x 120 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Duvet, 2017, cast aluminum, waterworks, 28 x 47 x 79 in. (70 x 120 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Turtle, 2017, cast bronze, tin can, waterworks, 28 x 12 x 9 in. (70 x 30 x 22 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Turtle, 2017, cast bronze, tin can, waterworks, 28 x 12 x 9 in. (70 x 30 x 22 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Turtle, 2017, cast bronze, tin can, waterworks, 28 x 12 x 9 in. (70 x 30 x 22 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Praying Mantis, 2017, cast bronze, waterworks, 97 x 35 x 48 in. (246 x 88 x 123 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Praying Mantis, 2017, cast bronze, waterworks, 97 x 35 x 48 in. (246 x 88 x 123 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Praying Mantis, 2017, cast bronze, waterworks, 97 x 35 x 48 in. (246 x 88 x 123 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Praying Mantis, 2017, cast bronze, waterworks, 97 x 35 x 48 in. (246 x 88 x 123 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Praying Mantis, 2017, cast bronze, waterworks, 97 x 35 x 48 in. (246 x 88 x 123 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Praying Mantis, 2017, cast bronze, waterworks, 97 x 35 x 48 in. (246 x 88 x 123 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Planks, 2017, acid etched brass, water works, each 2 x 4 x 76 in. (5 x 10 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Planks, 2017, acid etched brass, water works, each 2 x 4 x 76 in. (5 x 10 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Planks, 2017, acid etched brass, water works, each 2 x 4 x 76 in. (5 x 10 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Planks, 2017, acid etched brass, water works, each 2 x 4 x 76 in. (5 x 10 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Planks, 2017, acid etched brass, water works, each 2 x 4 x 76 in. (5 x 10 x 200 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man, 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man, 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man, 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man, 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man, 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man, 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man (detail), 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man (detail), 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man (detail), 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man (detail), 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Wounded Man (detail), 2017, assembled cast bronze objects, waterworks, 118 x 20 x 20 in. (300 x 50 x 50 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Trough, 2017, found trough, metal scrap from Peter Pitseolak High School, waterworks, 22 x 20 x 55 in. (55 x 50 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Trough, 2017, found trough, metal scrap from Peter Pitseolak High School, waterworks, 22 x 20 x 55 in. (55 x 50 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Trough, 2017, found trough, metal scrap from Peter Pitseolak High School, waterworks, 22 x 20 x 55 in. (55 x 50 x 140 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy
Geoffrey Farmer, Sign, 2017, tombak cast of a page of an Allen Ginsberg poem, water, 73 x 28 x 24 in. (185 x 70 x 60 cm). Installation view, A way out of the mirror, Canada Pavilion, 57th Venice Biennale, Venice, Italy

Geoffrey Farmer, A way out of the mirror, 2017, cast aluminum, cast bronze, acid etched brass, water technics, dimensions variable