Geoffrey Farmer –

Previous Next
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Catriona Jeffries, 2010
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Institute of Contemporary Art, Boston, 2016
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Institute of Contemporary Art, Boston, 2016
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Institute of Contemporary Art, Boston, 2016
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017

Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable