Geoffrey Farmer – ​Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014

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Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Catriona Jeffries, 2010
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Institute of Contemporary Art, Boston, 2016
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Institute of Contemporary Art, Boston, 2016
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, Institute of Contemporary Art, Boston, 2016
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017
Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable. Installation view, The Care With Which The Rain Is Wrong, Schinkel Pavillon, Berlin, Germany, 2017

Geoffrey Farmer, Look in my face; my name is Might-have-been; I am also called No-more, Too-late, Farewell, 2010–2014, computer-generated algorithmic montage sequence, dimensions variable