Ian Wallace – Works

Ian Wallace, Support Surface (The Table) I, 2017, photolaminate and acrylic on canvas, 48 x 36 in. (122 x 92 cm)

Ian Wallace, Construction Site, 2015, photolaminate and acrylic on canvas, each 96 x 72 in. (244 x 183 cm)

Ian Wallace, The Arrest (Clayoquot Protest August 9, 1993), 2014, photolaminate with acrylic on canvas, 96 x 48 in. (244 x 122 cm)

Ian Wallace, Untitled (Monochrome Structure II), 2014, diptych, silkscreen and acrylic on canvas, each 60 x 48 in. (153 x 122 cm)

Ian Wallace, The Riders of the Parthenon Frieze I & II, 2013, diptych, photolaminate and acrylic on canvas, each 80 x 60 in. (203 x 153 cm)

Ian Wallace, The Table (Image/Text), III, 1979–2013, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, Abstract Composition, 2012, photolaminate with acrylic on canvas, dimensions variable

Ian Wallace, Boulevard Raspail I–III, 2012, photolaminate with acrylic on canvas, each 48 x 48 in. (122 x 122 cm)

Ian Wallace, Les Traces de la Peinture (Molinari Series) I–VII, 2012, photolaminate and acrylic on canvas, 60 x 48 in. (152 x 122 cm)

Ian Wallace, Hotel Rivoli (22 November 2003) I–III, 2012, photolaminate and acrylic on canvas, each 60 x 48 in. (153 x 122 cm)

Ian Wallace, Study for Composition with Construction Site I & II, 1992–2012, paper, pencil, acrylic, photograph, ink, monoprint on canvas, each 30 x 23 in. (77 x 57 cm)

Ian Wallace, Abstract Painting (Blue On White), 2011, photolaminate and acrylic on canvas, 80 x 60 in. (203 x 153 cm)

Ian Wallace, Abstract Sculpture (Red on White), 2011, photolaminate and acrylic on canvas, 80 x 60 in. (203 x 152 cm)

Ian Wallace, Construction Site (Olympic Village) I–IV, 2011, photolaminate and acrylic on canvas, 72 x 96 in. (183 x 244 cm)

Ian Wallace, Table with Un Coup de Des I, II, III, 2011, 3 photolaminate with acrylic on canvas, each 72 x 60 in. (183 x 152 cm)

Ian Wallace, Abstract Drawing (Hotel de Nice, Paris, February 2, 2010, III), 2010, photolaminate with acrylic on canvas, 48 x 36 in. (122 x 91 cm)

Ian Wallace, Abstract Paintings I–XII (The Financial District), 2010, 12 photolaminate with acrylic on canvas panels, each 96 x 72 in. (244 x 183 cm)

Ian Wallace, Le Mépris (Division In Space), 2010, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, Le Mépris (The Contempt Scene), 2010, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, Le Mépris (Use Your Own Ideas), 2010, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, I Know The Way, 2010, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, I Remember You, 2010, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, Who Will I Become, 2010, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)  

Ian Wallace, Enlarged Inkjet Studies, 2010, inkjet prints, each 47 x 35 in. (119 x 89 cm)  

Ian Wallace, Berlin Perspective, 2009, photolaminate and acrylic on canvas, 78 x 48 in. (198 x 122 cm)

Ian Wallace, Conundrum I (Zim Zum), 2009, photolaminate and acrylic on canvas, 72 x 72 in. (183 x 183 cm)

Ian Wallace, In the Museum Los Angeles, 2009, photolaminate and acrylic on canvas, 78 x 48 in. (198 x 122 cm)

Ian Wallace, Untitled (The Hans Josephsohn Series), 2009, 3 photolaminate and acrylic on canvas, each 36 x 36 in. (91 x 91 cm)

Ian Wallace, Colours of the Afternoon, 1979–2009, colour inkjet photo, 12 x 96 in. (30 x 244 cm)

Ian Wallace, Street Reflections and Pan Am Scan, 1970–2009, 2 black and white photo inkets, each 61 x 48 in. (154 x 121 cm)

Ian Wallace, 5th Avenue Crosswalk NYC (June 15, 2007) I and II, 2008, 2 photolaminate with acrylic on canvas, each 60 x 60 in. (152 x 152 cm)

Ian Wallace, At Work 2008, 2008, mixed media, dimensions variable

Ian Wallace, Intersection 1970, 1970–2008, black and white photograph, 10 x 14 in. (24 x 36 cm)

Ian Wallace, At the Crosswalk III, 2007, photolaminate and acrylic on canvas, 96 x 193 in. (244 x 488 cm)

Ian Wallace, Chicago Crosswalk, 2007, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, Support/Surface I, II, 2007, 2 photolaminate and acrylic on canvas, each 60 x 60 in. (152 x 152 cm)

Ian Wallace, The Modern Wing, 2007, photolaminate and acrylic on canvas, 72 x 72 in. (183 x 183 cm)

Ian Wallace, Voramar Horizon, 2007, inkjet on paper, 18 x 32 in. (46 x 81 cm)

Ian Wallace, The Table (Image/Text) I, II, 1979–2007, photolaminate and acrylic on canvas, each 48 x 72 in. (122 x 183 cm)

Ian Wallace, Untitled (White Line), 1969–2007, acrylic on plywood, 1 x 384 x 24 in. (1 x 975 x 61 cm)

Ian Wallace, Untitled (Black Monochrome with Yellow), 1967–2007, acrylic on canvas, 90 x 20 in. (229 x 51 cm)

Ian Wallace, Constellations (With Black) I, II, III, IV, 2006, photolaminate with acrylic on canvas, 60 x 60 in. (153 x 153 cm)

Ian Wallace, La Tourette, 2006, photolaminate and acrylic on canvas, 60 x 60 in. (152 x 152 cm)

Ian Wallace, Abstract Drawings (Valencia, March 27–29 2004) 1–XX, 2004, 20 coloured pencil on paper drawings, each 17 x 12 in. (42 x 31 cm)

Ian Wallace, Construction Site LA I–IV, 2003, photolaminate and acrylic on canvas, 72 x 72 in. (183 x 183 cm)

Ian Wallace, In the Studio (with orange), 2002, photolaminate and acrylic on canvas, 96 x 60 in. (244 x 152 cm)

Ian Wallace, Jazz Street II, 2001, photolaminate with acrylic on canvas, 96 x 60 in. (244 x 152 cm)

Ian Wallace, Abstract Art I–V, 1999, photolaminate with acrylic on canvas, 30 x 24 in. (76 x 61 cm)

Ian Wallace, Masculin/Feminin II, 1997, photolaminate and acrylic on canvas, 96 x 72 in. (244 x 183 cm)

Ian Wallace, MF Stills (from Viaggio en Italia) I, II, III, 1997, 3 c-prints, 20 x 83 in. (51 x 211 cm)

Ian Wallace, Untitled (Viaggio in Italia), 1997, photolaminate with acrylic on canvas, 48 x 36 in. (122 x 91 cm)

Ian Wallace, Rue Turenne, Paris, 1997, photolaminate, acrylic and silkscreen on canvas, 90 x 60 in. (229 x 152 cm)

Ian Wallace, Intersection (Cambie and 41st Street), 1996, two black and white photographs, 23 x 19 in. (60 x 48 cm)

Ian Wallace, The Studio Floor I–III, 1996, 3 acrylic, photolaminate and ink monoprint on canvas panels, 36 x 36 in. (91 x 91 cm)

Ian Wallace, Notes on the Imprint, 1996, acrylic and photolaminate on canvas, 78 x 48 in. (198 x 122 cm)

Ian Wallace, Tropisme IX, 1995, photolaminate with ink serigraph and acrylic on canvas, 96 x 48 in. (244 x 122cm)

Ian Wallace, Clayoquot Protest (August 9, 1993) I–IX, 1993–1995, photolaminate with acrylic on canvas, dimensions variable

Ian Wallace, Untitled (Intersection), 1970–1995, silver print, 16 x 24 in. (39 x 60 cm)

Ian Wallace, Corner of the Studio I–IV, 1993, ink monoprint with photolaminate and acrylic on canvas, each 78 x 78 in. (198 x 198 cm)

Ian Wallace, El Taller, 1993, photolaminate, acrylic and monoprint on canvas, each 78 x 48 in. (198 x 122 cm)

Ian Wallace, Construction Site I & II, 1992, 2 photo and ink monoprints on paper, each 77 x 47 in. (196 x 119 cm) 

Ian Wallace, Emmett Williams Speaking at the Opening of the Artist’s Museum, Lodz, Poland, October 14, 1990, 1991, photolaminate and acrylic on canvas, 59 x 62 in. (150 x 158 cm)

Ian Wallace, The Cinema Museum, Lodz, 1991, 60 x 120 in. (152 x 304 cm)

Ian Wallace, Untitled (Monoprint), 1990, acrylic on canvas, 90 x 20 in. (229 x 51 cm)

Ian Wallace, Untitled (Monoprint), 1990, ink on paper, 108 x 72 in. (274 x 183 cm)

Ian Wallace, Hommage a Mondrian, 1990, photolaminate and acrylic on canvas, dimensions variable

Ian Wallace, In The Museum (Peter Halley Series), 1989, photolaminate and acrylic on canvas, 60 x 60 in. (153 x 153 cm)

Ian Wallace, In the Street (Cologne Series IV), 1989, diptych, photolaminate with acrylic and monoprint on canvas, 80 x 120 in. (203 x 305 cm)

Ian Wallace, In the Street I–IV, 1989, 4 photolaminate with acrylic and ink monoprint on canvas panels, each 96 x 96 in. (244 x 244 cm)

Ian Wallace, Messes from the floor of the studio of Elspeth Pratt, 1989, photolaminate and acrylic on canvas, 24 x 24 in. (61 x 61 cm)

Ian Wallace, At the Crosswalk, 1988, photolaminate and acrylic on canvas, 195 x 110 in. (496 × 279 cm)

Ian Wallace, Hotel Perugia Rome, 1988, photolaminate and acrylic on canvas, 36 x 36 in. (91 x 91 cm)

Ian Wallace, In the Street, 1988, photolaminate with acrylic and ink monoprint on canvas, 96 x 96 in. (244 x 244 cm)

Ian Wallace, The Fontana Series I, 1988, photolaminate and acrylic on canvas, 96 x 60 in. (243 x 152 cm)

Ian Wallace, The Fontana Series II, 1988, photolaminate and acrylic on canvas, 96 x 60 in. (243 x 152 cm)

Ian Wallace, Poverty Image with Orange, 1987, photolaminate and acrylic on canvas, 60 x 60 in. (152 x 152 cm)

Ian Wallace, Poverty Image with Hookers Green, 1987, photolaminate and acrylic on linen, 47 x 68 in. (119 x 171 cm)

Ian Wallace, Untitled (Heavenly Embrace), 1987, photolaminate and acrylic on canvas, each 96 x 40 in. (244 x 101 cm)

Ian Wallace, My Heroes in the Street IV–VI, 1986–1989, photolaminate and acrylic on canvas, 72 x 120 in. (183 x 305 cm)

Ian Wallace, My Heroes in the Street (Arni), 1986, silver gelatin print on RC-paper, 30 x 40 in. (75 x 102 cm)

Ian Wallace, 10 studies for My Heroes in the Street (1986), 1986, 10 lithographs and colour photographs on paper, 15 x 22 in. (39 x 56 cm)

Ian Wallace, The Imperial City, 1986, black and white photomurals with plexiglas, 4 panels, each 116 x 24 in. (293 x 61 cm)

Ian Wallace, At Work 1983, 1983, silver gelatin print, 43 x 54 in. (108 cm x 137 cm)

Ian Wallace, Study Corridor, 1983, 2 channel video, 3/4 inch video transferred to DVD

Ian Wallace, Poverty 1982, 1982, oil-based silkscreen over acrylic paint on canvas, 8 panels, 71 x 376 in. (180 x 955 cm)

Ian Wallace, Poverty, 1980, 8 black and white photographs, each 9 x 13 in. (23 x 33 cm)

Ian Wallace, Poverty 1980, 1980, 16mm film transferred to digital, dimensions variable

Ian Wallace, Image/Text, 1979, hand-coloured sliver gelatine print, 109 x 216 in. (276 x 549 cm)

Ian Wallace, Image/Text, 1979, 3/4 inch video transferred to DVD, 29 minutes, 12 seconds looped

Ian Wallace, Lookout, 1979, 36 x 6 in. (92 x 15 cm)

Ian Wallace, Maquette for Lookout, 1979, vintage silver gelatin print, 11 x 163 in. (27 x 414 cm)

Ian Wallace, Tracings for Lookout, 1979, 8 pencil tracings on vellum, 27 x 24 in. (69 x 61 cm)

Ian Wallace, Contact Sheets for Lookout, 1979, 10 photo contact sheets, each 14 x 12 in. (34 x 29 cm)

Ian Wallace, Lookout, 1979, 3/4 inch video transferred to DVD, 32 minutes, 42 seconds looped

Ian Wallace, Self-Portrait Sleeping, 1979, colour polaroid photograph, 4 x 4 in. (11 x 9 cm)

Ian Wallace, Studio Work, 1979, 2 channel video, 3/4 inch video transferred to DVD

Ian Wallace, L’Après Midi I, II, III, 1977–1979, 9 hand-coloured black and white photographs, 36 x 332 in. (91 x 843 cm)

Ian Wallace, L’après Midi, 1977–1979, 3/4 inch video transferred to DVD, 30 mintues, 25 seconds looped

Ian Wallace, Found Object, 1977, 3 colour photographs, 37 x 21 in. (94 x 53 cm)

Ian Wallace, Hypnerotomachia (the Fire), 1977, 4 c-prints, 29 x 116 in. (74 x 295 cm)

Ian Wallace, Hypnerotomachia (the Staircase), 1977, 4 hand-coloured black and white photographs, 48 x 192 in. (122 x 488 cm)

Ian Wallace, The Calling, 1977, black and white photograph, 47 x 58 in. (118 x 146 cm)

Ian Wallace, The Studio, 1977, black and white photograph 45 x 57 in. (113 x 145 cm)

Ian Wallace, An Attack on Literature I & II, 1975, 12 hand-coloured black and white photographs, each 48 x 69 in. (123 x 174 cm)

Ian Wallace, An Attack on Literature (film sequence), 1975, 6 black and white photographs, each 8 x 10 in. (19 x 25 cm)

Ian Wallace, The Summer Script I & II, 1974, silver prints, oil, plexiglas on paper, 12 panels, each 47 x 69 in. (119 x 176 cm)

Ian Wallace, Studies for The Summer Script I & II, 1973, 2 black and white photographs, each 15 x 17 in. (37 x 43 cm)

Ian Wallace, La Melancolie de la rue, 1973, hand-coloured black and white photomurals, 47 x 203 in. (119 x 515 cm)

Ian Wallace, Magazine Piece, 1970–ongoing, magazine pages, tape, dimensions variable

Ian Wallace, Street Reflections, 1970–2007, 5 black and white photographs with plexiglas, 66 x 20 in. (168 x 51 cm)

Ian Wallace, Untitled, 1970–1995, silver print mounted on paper, 7 x 10 in. (18 x 24 cm)

Ian Wallace, Untitled, 1969–1970, 2 black and white photographs, 71 x 45 in. (179 x 114 cm)

Ian Wallace, Untitled, 1969–1970, 2 black and white photographs, 71 x 45 in. (179 x 114 cm)

Ian Wallace, Untitled (Plank Piece), 1969–ongoing, 5 fir boards with vinyl, 9 x 47 x 156 in. (23 x 119 x 396 cm)

Ian Wallace, White Line (First Version 1969), 1969–2012, framed inkjet print, 22 x 27 in. (60 x 69 cm)

Ian Wallace, Untitled (Ur Line), 1969, black and white print, 5 x 7 in. (13 x 18 cm)

Ian Wallace, Untitled, 1969–1995, 2 cibachromes mounted on paper, 5 x 8 in. (13 x 19 cm)

Ian Wallace, Barthes “The Third Meaning”, 1969–1995, black and white photograph, 27 x 39 in. (69 x 100 cm)

Ian Wallace, John Locke Divided and Reconstituted, 1969, printed page collage, 9 x7 in. (23 x 18 cm)

Ian Wallace, Untitled (In the Studio), 1969, silver gelatine print, 37 x 50 in. (93 x 126 cm)

Ian Wallace, Untitled (White Monochrome with Orange Rectangle), 1968, acrylic on canvas, 76 x 41 in. (193 x 104 cm)

Ian Wallace, Disaster (June 17, 1958), 1958–2003, black and white digital photograph, 15 x 21 in. (39 x 53 cm)