Jessica Stockholder – CV
Jessica Stockholder
b. 1959, Seattle, USA
Lives and works in Nanaimo, Canada
Education
- 1985 Master of Fine Arts, Yale University, New Haven, USA
- 1982 Bachelor of Fine Arts, University of Victoria, Victoria, Canada
- 1980 University of British Columbia, Vancouver, Canada
- 1979 The Camden School of Art, London, UK
Selected Solo Exhibitions
- 2025 Cardinal Directions, Es Baluard Museu d’Art Modern, Palma, Spain
- 2024 Jessica Stockholder: Picture Making and Assembling, Carnegie Museum of Art, Pittsburgh, USA
Jessica Stockholder: For Events, Hutchinson Courtyard, The University of Chicago, Chicago, USA
walking to sea, Galleria Raffaella Cortese, Milan, Italy - 2023 Nomadic Musings, Frac Normandie, Sotteville-lès-Rouen, France
The State of Things, with Ettore Sottsass, Leo Koenig Gallery, New York, USA - 2021 Specific Shapes, Kavi Gupta Gallery, Chicago, USA
what is normal, Raffaella Cortese Gallery, Milan, Italy - 2020 Digital Thoughts, 1301PE, Los Angeles, USA
- 2019 Save on select landscape & outdoor lighting: Song to mind uncouples, The Contemporary Austin, Laguna Gloria, Austin, USA
Slip Slidin’ Away, Kunstplatz Garben, Kunst im öffentlichen Raum Wien, Vienna, Austria
Stuff Matters, Centraal Museum, Utrecht, Netherlands - 2018 Relational Aesthetics, The Contemporary Austin, Austin, USA
Play on Surfaces & Surfing, Regenstein Library, University of Chicago, Chicago, USA
Three Squared on the River Bank, Parcours, Art Basel, Basel, Switzerland - 2016 The Guests All Crowded into the Dining Room, Mitchell-Innes & Nash, New York, USA
Jessica Stockholder: Works on Paper from the 1980s, Cleopatra’s, Brooklyn, USA
Snug Parting, Galerie nächst St. Stephan, Vienna, Austria
Stockholder, 56 Henry, New York, USA - 2015 Rose’s Inclination, Smart Museum, Chicago, USA
Door Hinges, Kavi Gupta Gallery and Smart Museum, Chicago, USA
Palpable Glyphic Rapture, Galerie Nathalie Obadia, Paris, France - 2014 Erstwhile & Notwithstanding, C.Ar.D Contemporary Art & Design, Pianello Val Tidone, Italy
Glimpse, Galleria Raffaella Cortese, Milan, Italy - 2013 Jessica Stockholder, Barbara Edwards Contemporary, Calgary, Canada
Lift, 1301PE, Los Angeles, USA
Wide Eyes Smeared Here Dear, Art Basel, Basel, Switzerland - 2012 Fundacion Barrie de la Maza, Vigo, Spain
Hollow Places Court in Ash-Tree Wood, Le voyage à Nantes, Biennale de Nantes, Frac des Pays de la Loire, Nantes, France
Wide Eyes Smeared Here Dear, Musée d'art moderne, Saint-Etienne Métropole, France
Jessica Stockholder, Max Estrella Gallery, Madrid, Spain - 2011 Hollow Places Court in Ash-Tree Wood, Aldrich Contemporary Art Museum, Ridgefield, USA
Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis, USA - 2010 Peer Out to See, Palacio de Cristal, Reina Sofia, Madrid, Spain
Barbara Edwards Contemporary, Toronto, Canada
Prints and Sculpture, Usdan Gallery, Bennington College, USA
Air Padded Table Haunches and…, CarrerasMugica, Bilbao, Spain - 2009 Sailcloth Tears, Mitchell-Innes & Nash, New York, USA
Swiss Cheese Field, Senior and Shopmaker Gallery, New York, USA
Robischon Gallery, Denver, USA
Coating, Nathalie Obadia, Paris, France - 2008 Jessica Stockholder – Lumps Bumps & Windy Figures Too, Galerie Art & Essai, Rennes, France
Martin Barre & Jessica Stockholder, Statements, Art Basel, Basel, Switzerland - 2007 1301 PE, Los Angeles, USA
Galerie Nächst St. Stephan, Vienna, Austria
Galerie Thomas Schulte, Berlin, Germany - 2006 Jessica Stockholder, Hafnarborg, Hafnarfjordur, Iceland
Jessica Stockholder, Mitchell-Innes & Nash, New York, NY
Jessica Stockholder, Galleria Raffaella Cortese, Milan, Italy
Of Standing Float Roots in Thin Air, PS1 Contemporary Art Center, Long Island City, USA
Space Between, Galerie Nathalie Obadia, Paris, France - 2005 Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board, Mario Diacono Gallery, Boston, USA
Kunsthallen Brandts Klaedefabrik, Odense, Denmark
Air Padded Table Haunches, Unlimited, Art Basel, Basel, Switzerland
Galleria Civica D’Arte Moderna e Contemporanea di Torino, Italy
Rawhide Harangue of Aching Indices As Told By Light, School of the Museum of Fine Arts at Tufts University, Boston, USA
Palazzo Massari Ferrara Gallerie d’arte moderna e contemporanea, Torino, Italy
Skolem, Choc de blocs & chiffres au vent, Institut des Hautes Etudes Scientifiques, Bures-sur-Yvette, France - 2004 Jessica Stockholder, Kissing the Wall: Works, 1988–2003, Blaffer Art Museum, University of Houston, Houston, USA; Weatherspoon Art Gallery, Greensboro, USA
Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, USA
Sable-Castelli Gallery, Toronto, Canada - 2003 TV Tipped Toe Nail & the Green Salami, CAPC, Musée d’art contemporain de Bordeaux, France
Jessica Stockholder Prints, Chelsea Art Museum, New York, USA
Jessica Stockholder, Galerie Rolf Ricke, Cologne, Germany
On The Spending Money Tenderly, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Palm Springs Desert Museum, Palm Springs, USA
University of South Florida Contemporary Art Museum, Tampa, USA
MAK Center for Art and Art History, Los Angeles, USA
Trespassing: Houses x Artists; Bellevue Art Museum, Bellevue, USA
Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany - 2002 Quiet Stops Rattling Thin Air, Baltic Art Center, Visby, Sweden
Galleria Raffaela Cortese, Milan, Italy - 2001 Galerie Nächst St. Stephan, Vienna, Austria
Gorney Bravin + Lee, New York, USA
Galerie Nathalie Obadia, Paris, France - 2000 Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland
Jessica Stockholder: Photography, Bucknell Art Gallery, Bucknell University, Lewisburg, USA - 1999 First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto, Canada
Galerie Rolf Ricke, Köln, Germany
With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny, Center for Visual Arts, Cardiff, UK - 1998 Catriona Jeffries, Vancouver, Canada
Turning Paper, Galerie Nathalie Obadia, Paris, France; Betsy Senior Gallery, New York, USA
Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, München, Germany; Works on Paper, Inc., Los Angeles, USA
Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerp, Belgium
Coupling, White Cube, London, UK
Torque, Jelly Role, and Goose Bump, Musée Picasso d’Antibes, Antibes, France
Nit Picking Trumpets of Iced Blue Vagueries, Musée des Beaux-Arts de Nantes/La Salle Blanche, Nantes, France - 1997 Slab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Oslo, Norway
Jessica Stockholder: 200 Drawings, Otis Gallery of Otis College of Art & Design, Los Angeles, USA
The Point of Departure: Moira Dryer & Jessica Stockholder, Gallery of Art, Johnson County Community College, Overland Park, USA
Deutscher Akademischer Austauschdienst (D.A.A.D.), Berlin, Germany
Contemporary Fine Arts, Berlin, Germany
Jay Gorney Modern Art, New York, USA - 1996 Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, USA
Bowtied In the Middle, Tom Solomon's Garage, Los Angeles, USA
Studio La Città II, Verona, Italy - 1995 Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the Arts, New York, USA
Galerie Nathalie Obadia, Paris, France
Jay Gorney Modern Art, New York, NY
S.L. Simpson Gallery, Toronto, Canada
Sweet for Three Oranges, Sala Montcada de la Fundació “la Caixa”, Barcelona, Spain - 1994 Pink Lady, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, USA
Joan Snyder and Jessica Stockholder, Jay Gorney Modern Art, New York, USA - 1993 Galerie Ludwig, Krefeld, Germany
Edge of Hothouse Glass, Galerie des Arènes, Carré d'Art, Musée d’Art Contemporain de Nîmes, Nîmes, France - 1992 Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zurich, Switzerland
SpICE BOXed Project(ion), Galerie Metropol, Vienna, Austria
Flower Dusted Prosies, American Fine Arts, Co., New York, USA
Growing Rock Candy Mountain – Grasses in Canned Sand, Westfälischer Kunstverein, Münster, Germany - 1991 Skin Toned Garden Mapping, The Renaissance Society at the University of Chicago, Chicago, USA
As Long as it Lasts, Witte de With, Rotterdam, The Netherlands
Daniel Weinberg Gallery, Santa Monica, USA
The Broken Mirror, Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, USA - 1990 Mary Heilmann and Jessica Stockholder; For Mary Heilmann, Isabella Kacprzak Galerie, Cologne, Germany
Where it Happened, American Fine Arts, New York, USA - 1989 Mixing Food with the Bed, The Mattress Factory, Pittsburgh, USA
- 1988 Indoor lighting for my father, Mercer Union, Toronto, Canada
- 1987 It’s Not Over ’til The Fat Lady Sings, Contemporary Art Gallery, Vancouver, Canada
- 1985 Wall Sandwich, Melinda Wyatt Gallery, New York, USA
- 1984 In-side out, Art Culture Resource Center, Toronto, Canada
Selected Group Exhibitions
- 2023 Tuercas: Una historia de ciencia ficción recluida en giros, L21 Home Gallery, Islas Baleares, Spain
Quotidien Cummons, Centre d’art contemporain de la Ferme du Buisson, Noisiel, France
Keith Sonnier: Live in Your Head, Parrasch Heijnen, Los Angeles, USA
Mettre les formes, Galerie Nathalie Obadia, Paris, France - 2022 The House of Dust: Women’s work (1960–2020), Musée d’art modern et contemporain, Saint-Étienne, France
From There to Here, Anderson Ranch Arts Center, Snowmass Village, USA
Hippydrome, Frac Normandie, Caen, France
Shifting the Silence, SFMoMA, San Francisco, USA
On the Nature of Things, Andrew Kreps Gallery, New York, USA
Informal Get Together, Mitchell-Innes & Nash, New York, USA
Domgasse 6, Galerie nächst St. Stephan, Vienna, Austria
Monochrome Multitudes, Smart Museum of Art, University of Chicago, Chicago, USA - 2021 Steel, String, Spit Bite: Selections from the LeWitt Collection, New Britain Museum of American Art, New Britain, USA
On The Basis of Art: 150 Years of Women at Yale, Yale University Art Gallery, New Haven, USA
A Collection without Boundaries. International Art since 1990, Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy
Eight of Pentacles, RUSCHMAN, Chicago, USA
Women in Abstraction, Centre Pompidou, Paris, France
Città irreale, Lokremise Cultural Center St. Gallen, St. Gallen, France
High Emission Zone, Galerie Nathalie Obadia, Paris, France - 2020 La Musèe 2, Studio la Città, Verona, Italy
Intimate, Galeria Max Estrella, Madrid, Spain
Objects to be Destroyed, Akron Art Museum, Akron, USA
Life in space, Regional Museum of Contemporary Art, Sérignan, France
New York: The 1980s; Part II, Consortium Museum, Dijon, France
Rosso e Grigio, Studio la Città, Verona, Italy
Contemporanee / Contemporanei, University of Verona, Verona, Italy - 2019 25 Years of the Falckenberg Collection, Deichtorhallen Hamburg, Hamburg, Germany
1301PE@GBT, Galerie Barbara Thumm, Berlin, Germany
Color Field, Crystal Bridges Museum of America Art, Bentonville, USA
The Foundation of the Museum: MOCA’s Collection, The Geffen Contemporary at MOCA, Los Angeles
Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Penn State College, University Park, USA - 2018 The Fragrance of Images – Works of colección OLOR VISUAL, Barcelona, Art and Culture Foundation Opelvillen Rüsselsheim, Germany
Senza Tema. Carta / Paper, Studio La Città, Verona, Italy
The Conditions of Being Art: Pat Hearn Gallery & Americab Fine Arts, Co. (1983–2004),
Center for Cultural Studies, Bard College, Annandale-on-Hudson, USA
Generations Female Artists in Dialog Part 1, Sammlung Goetz, Munich, Germany Outliers and American Vanguard Art, National Gallery of Art, Concourse Galleries, Landover, USA - 2017 Works from the CAPC Collection, Musee d’Art Contemporain de Bordeaux, Bordeaux, France
La Pergola, Musée régional d’art contemporain Occitanie/Pyrénées-Méditerranée, Sérignan, France
THE ANXIETY OF INFLUENCE, Chapter NY, New York, USA
Contra, Fine Arts Center Gallery, University of Arkansas, USA Umhverfing|Shapeshifting, Hjalteyri Herring Factory, Hjalteyri, Iceland 99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, USA Expanded, Mana Contemporary, Chicago, USA - 2016 Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser & Wirth, Los Angeles, USA
Contemporary Highlights from the Collection, The National Academy Museum, New York, USA
Her Crowd, New Art by Women for our Neighbors’ Private Collections, Bruce Museum, Greenwich, USA
A Revolution in the Making, Hauser Wirth and Schimmel Gallerly, Los Angeles, USA - 2015 Dancing Foxes Benefit Exhibition, Bridget Donahue Gallery, New York, USA
SITE 20 Years / 20 Shows SPRING, SITE Santa Fe, Santa Fe, USA - 2014 Ladies First!, Künstlerinnen aus der Sammlung Schaufler, Schauwerk Sindelfingen, Sindelfingen, Germany
OK Great REALLY this is ALSO RIDICULOUS, DCKT Contemporary, New York, USA
OK GREAT THANKS THIS IS SO RIDICULOUS, ACME Gallery, Los Angeles, USA
IN FUTURE: a potential, Magazin 4, Bregenzer Kunstverein, Bregenez, Austria
Painting Made Different: Fabian Marcaccio, Sam Moyer, & Jessica Stockholder, Salina Art Center, Salina, USA
2014 Invitational Exhibition of Visual Arts, Academy of Arts & Letters, New York, USA - 2013 Painting in the Expanded Field, Mary S. Byrd Gallery of Art, Georgia Regents University, Augusta, USA
Impulse and Connoisseurship: Selections from the Forde Collection, Westmont Ridley-Tree Museum of Art, Montecito, USA
The Ceiling Should Be Green, P!, New York, USA
Paint Things, DeCordova Museum and Sculpture Park, Lincoln, USA
On the Matter of Abstraction (figs. A & B), Rose Art Museum, Brandeis University, Waltham, USA - 2012 Drawings by Sculptors, Inman Gallery, Houston, USA
Greetings from Los Angeles, Starkwhite, Auckland, New Zealand
To Be a Lady: Forty-Five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, USA
Everyday Things: Contemporary Works from the Collection, The Museum of Art, Rhode Island School of Design, Providence, USA - 2011 December, Organized by Howie Chen, Mitchell-Innes & Nash, New York, USA
Not about Paint, Steven Zevitas Gallery, Boston, USA
New Work : Jessica Stockholder, John McEnroe, Jae Ko, Derrick Velasquez, Wendi Harford, Terry Maker, Linda Fleming, Judy Pfaff, Katy Stone and Blake Haygood, Robischon Gallery, Denver, USA
Schnitte im Raum: Skulpturale Collagen, Museum Morsbroich, Leverkusen, Germany
21 Americans, Bernard Jacobson Gallery, New York, USA
Towards the Third Dimension, David Floria Gallery, Aspen, USA
CIRCA 1986: The 80’s from Six Important New York Art Collections, Nicola Trezzi, and Astrid Honold, Hudson Valley Center for Contemporary Art, Peekskill, USA - 2010 Friends in High Places, Christopher Henry Gallery, New York, USA
España/América La Abstracción redefinida, Galleria Max Estrella, Madrid - 2009 Transitions: Painting at the (Other) End of Art, Collezione Maramotti, Reggio Emilia, Italy
Painting And Its Environs, Palacio de Sastágo, Zaragoza, Spain
Living With…, Galleria Raffaella Cortese, Milan, Italy
Mind The Step, 1301PE, Los Angeles, USA
David Gilbert, Ian Pedigo, Jessica Stockholder, Klaus Von Nichtssagend, Brooklyn, USA
Winter Light, 1301 PE, Los Angeles, USA
Embrace!, Denver Art Museum, Denver, USA - 2008 Color in 3D: Found, Applied, and Readymade, Westport Arts Center, Westport, USA
Rita McBride Cornelia Parker Eva Rothschild Jessica Stockholder, Carreras Mugica, Bilbao, Spain - 2007 Lust for Life: The Ricke Collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein Sublime: Experiences and Perceptions in Contemporary Sculpture, Pilar Parra & Romero, Madrid
Concrete Works, Mitchell-Innes & Nash, New York, USA
In Defense of Ardor, Bellwether, New York, USA
A Drawing Show, Lisa Boyle Gallery, Chicago, USA
Connecticut Contemporary, Wadsworth Athenaeum Museum of Art, Hartford, USA - 2006 Transitional Objects: Contemporary Still Life, Neuberger Museum of Art, Purchase College, SUNY, Purchase, USA
Women’s Work, Greenberg van Doren Gallery, New York, USA
Paint, Vancouver Art Gallery, Vancouver, Canada - 2005 Pucker, the Gallery, at Dieu Donne Papermill, New York, USA
Material Matters, Cornell University, Johnson Museum of Art, Ithaca, USA Katharina Grosse, Jessica Stockholder, Christine Streuli: Aufgedeckt, Mark Müller, Zurich, Switzerland
Polly Apfelbaum, Katharina Grosse, Karin Sander, and Jessica Stockholder, Galerie nächst St. Stephan, Vienna, Austria - 2004 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, USA
Kunst Stoff, Galerie nächst St. Stephan, Vienna, Austria
2004 Whitney Biennial, Whitney Museum of American Art, New York, USA
The Dunny Show, Kid Robot, Visionaire Gallery, New York, USA Kunst Stoff, Galerie nächst St. Stephan, Vienna, Austria Transformer, Kunstverein Ludwigsburg, Ludwigsburg, Germany The National Academy Museum Invitational, New York, USA
Peintures Migrantes, Ecole Superieure des Beaux-Arts du Mans, Le Mans, France - 2003 Flower Power, FRAC Lille, France
Painting on Sculpture, Tanya Bonakdar Gallery, New York, USA
Under Pressure: Prints from Two Palms Press, The Cooper Union School of Art, New York, USA - 2002 Art Downtown: New Photography, Wall St Rising, New York, USA
Print Publisher’s Spotlight Two Palm Press, Barbara Krakow Gallery, Boston, USA SiteLines: Art on Main, Addison Gallery of American Art, Phillips Academy, Andover, USA New Editions & Monoprints, Pace/Prints, New York, USA
Beyond the Pale: Material Possibilities, Neuberger Museum of Art, Purchase, USA
Living Units, Triple Candie, Washington D.C., USA
Under Pressure: Prints from Two Palms Press, University Gallery, University of Massachusetts, Amherst, USA - 2001 Camera Works, Marianne Boesky Gallery, New York, USA
American Art from Sammlung Goetz, Rudolfinum, Prague, Czech Republic
Prints & Multiples, Senior & Shopmaker Gallery, New York, USA
Objective Color, Yale University Art Gallery, New Haven, USA
On Collecting: Pictures, Patents, Monkeys and More…, Western Gallery, Western Washington University, Bellingham, USA
Beau Monde: Toward a Redeemed Cosmopolitanism, Site Santa Fe, Santa Fe, USA - 2000 Before They Became Who They Are, Kravets/Wehby Gallery, New York, USA
Galerie nächst St. Stephan, Vienna, Austria
Gebaude: Donald Judd, Gerhard Merz, Jessica Stockholder (with OpenOffice), Heimer & Döring Kunstberatung, Berlin, Germany
Skulptur 2000, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany
Beyond the Press: Innovations in Print, Hand Workshop Art Center, Richmond, USA
Spilled Edge/ Soft Corner, Blackwood Gallery, University of Toronto, Mississauga, Canada
In the Beginning was MERZ, Sprengel Museum, Hannover, Germany; Haus der Kunst, Munich, Germany
Apparent Things: Painting with Things, Haus der Kunst, Munich, Germany - 1999 Geez Louise!: Art After Louise Nevelson, Educational Alliance Gallery, New York, USA
Think Twice: International Sculpture Show, Galeria OMR, Mexico City, Mexico
Drawing in the Present, Aronson & Main Galleries, Parson School of Design, New York, USA
...und wandelt mit bedächtiger Schnelle vom Himmel durch die Welt zur Hölle, Galerie nächst St. Stephan and Rosemarie Schwarzwälder, Vienna, Austria
Recent Prints, Betsy Senior Gallery, New York, USA
Re: Rauschenberg, Marcel Sitkoske Gallery, San Francisco, USA
Special Offer: Eine Ausstellung des Kölner Galeristen Rolf Ricke, Kasseler Kunstverein, Kassel, Germany - 1998 Dijon / le Consortium.coll, Centre Georges Pompidou, Paris, France
Young Americans 2, Saatchi Gallery, London, England
Coming Off the Wall, Susquehanna Art Museum, Harrisburg, USA
I Love New York: Crossover der aktuellen Kunst, Museum Ludwig Köln, Cologne, Germany
Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle Zürich, Zurich, Switzerland
Interpreting, with curatorial perspectives by: Lynn Cooke, Lia Gangitano, Robert Storr and Lydia Yee, The Rotunda Gallery, Brooklyn, USA
Chromaform: Color in Sculpture, University of Texas at San Antonio Art Gallery, San Antonio, USA; University Art Gallery, New Mexico State University, Las Cruces, USA; Santa Barbara Contemporary Arts Forum, Santa Barbara, USA
Painting Language, L A Louver Gallery, Los Angeles, USA
Review, Galerie Georg Kargl, Vienna, Austria
Humble County, D’Amelio Terras Gallery, New York, USA
Exploiting the Abstract, Feigen Contemporary, New York, USA
Now and Later, Yale University Art Gallery, New Haven, USA
Pop / Abstraction, Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, USA
Alternative Measures, Castle Gallery, College of New Rochelle, New Rochelle, USA
Gallery Artists, Jay Gorney Modern Art, New York, USA - 1997 The Prophecy of Pop, Contemporary Arts Center, New Orleans, USA
Heart, Mind, Body, Soul: American Art in the 1990s, Selections from the Permanent Collection, The Whitney Museum of American Art, New York, USA
New York – Divergent Models, Nassauischen Kunstverein, Wiesbaden, Germany
Onomatopoeia, Studio La Città, Verona, Italy
Colorflex, Apex Art, New York, USA
Across Lines: J.Beuys, M.Chin, M.DiSuvero, J.Duff, M.Kendrick, J.Monti, J.Silverthorne, R.Smithson, J. Stockholder, D.Weiner, F.West, Rosenberg Gallery, Hofstra University, Hempstead, USA
Wandstücke IV: S. Fleury, T. Grünfeld, I. Knoebel, L. Mantello, O.Metzel, J. Stockholder, R. Tiravanija, Bob van Orsouw Galerie, Zurich, Switzerland
4e Biennale de Lyon, Halle Tony Garnier, Lyon, France
La Biennale di Venezia: XLVII International Art Exhibition, Corderie Building, Venice, Italy - 1996 L’Ossessione Del Segno, Studio La Città, Verona, Italy
Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, USA
Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, USA
Patterns of Excess, Beaver College Art Gallery, Beaver College, Glenside, USA
Luminous Bodies, Rotunda Gallery, Brooklyn, USA
What I Did On My Summer Vacation, White Columns, New York, USA
Form als Ziel mündet immer in Formalismus (Mies van der Rohe), Galerie Rolf Ricke, Cologne, Germany
Painting In An Expanding Field, Usdan Gallery, Bennington College, Bennington, USA
Square Bubbles, Nott Memorial Art Museum, Union College, Schenectady, USA
Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington D.C., USA
Una Nuova Tradizione Americana, Galerie Oddi Baglioni, Rome, Italy
Contemporary Art Museum, University of South Florida, Tampa, USA
Wolfson Galleries, Miami-Dade Community College, Miami, USA
Re:Fab: Painting Abstracted, Fabricated, Fleming Museum, University of Vermont, Burlington, USA
Elena Sisto, Lisa Hoke, Jessica Stockholder, Dru Arstark Gallery, New York, USA; Rooseum, Malmö, Sweden
Painting The Extended Field; Magasin 3, Stockholm, Sweden - 1995 1995 Collectie Presentatie Moderne Kunst, Centraal Museum Utrecht, Utrecht, The Netherlands
Color in Space: Pictorialism In Contemporary Sculpture, David Winton Bell Gallery, List Art Center, Brown University, Providence, USA
New York – Positionen Aktueller Malerei, Studiogalerie der Kunstverein Museum Schloá Morsbroich, Leverkusen, Germany
On Target, Horodner Romley Gallery, New York, USA
Pittura - Immedia: Malerei in den 90er Jahren, Neue Galerie am Landesmuseum Joanneum, Graz, Austria - 1994 Country Sculpture: House Beautiful, Le Consortium, Dijon, France
Joe’s Garage, TZ Art & Co., New York, USA
Ethereal Materialism, Apex Art, New York, USA
Symphonie en Sous-Sol, Galerie Renos Xippas, Paris, France
The Little House on the Prarie, Marc Jancou Gallery, London, UK
Balkenhol, Dunham, Gilliam, Hirst, McCaslin, Stockholder, Weinstein, Baumgartner Galleries, Washington D.C., USA
Herr Schleiermachers Sista Dröm: Föreställningar om Måleriet, Galerie Nordenhake, Stockholm, Sweden
John Dunn, Adelheid Mers, Carla Preiss, Jessica Stockholder, N.A.M.E. Gallery, Chicago, USA
Information Service, Goethe House, New York, USA
Untitled..., Postmasters Gallery, New York, USA The Beauty Show, Four Walls, Brooklyn, USA
Possible Things: A Drawing Show, curated by Vik Muniz, Bardamu Gallery/Publishing House, New York, USA
Don’t Look Now, Thread Waxing Space, New York, USA
Reveillon ‘94, Stux Gallery, New York, USA
Unbound: Possibilities in Painting, Hayward Gallery, The South Bank Centre, London, UK - 1993 Testwall: Small 3 Dimensional Multiples, TZ Art & Co., New York, USA
Galerie Nathalie Obadia, Paris, France
Jours Tranquilles à Clichy, Tennisport Arts, New York, USA
As Long as It Lasts, Witte de With, Rotterdam, The Netherlands
Jours Tranquilles à Clichy, 40 Rue de Rochechouart, Paris, France
The Good, the Bad, and the Ugly...a modest proposal, Galerie Jousse Seguin, Paris, France
John Good Gallery, New York, USA
Anniversary Exhibition, Daniel Weinberg Gallery, Santa Monica, USA
Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler, The Contemporary Arts Center, Cincinnati, USA
American Fine Arts, New York, USA
Simply made in America, The Aldrich Museum of Contemporary Art, Ridgefield, USA - 1992 Transgressions in the White Cube: Territorial Mappings, Suzanne Lemberg Usdan Gallery, Bennington College, Bennington, USA
Mary Heilmann, Jack Pierson, Jessica Stockholder, Pat Hearn Gallery, New York, USA
Cultural Fabrication, John Good Gallery, New York, USA
Women artists not included in Documenta 9, Kunstlerhaus Stuttgart, Stuttgart, Germany As Long as It Lasts, Witte de With, Rotterdam, Netherlands - 1991 Jürgen Meyer, Jessica Stockholder, Franz West, Christine Burgin Gallery, New York, USA
American Artists of the Eighties, Palazzo delle Albere, Museo Provinciale d’Arte, Trento, Italy
Plastic Fantastic Lover (object a), Blum Helman Warehouse, New York, USA
Southeastern Center for Contemporary Art, Winston-Salem, USA; Hirshhorn Museum and Sculpture Garden, Washington D.C., USA; Albuquerque Museum, Albuquerque, USA
Awards in the Visual Arts 10, Toledo Museum of Art, Toledo, USA
Sculptors’ Drawings, Paula Cooper Gallery, New York, USA
The Museum of Natural History, Barbara Farber Gallery, Amsterdam, The Netherlands
Physicality: An Exhibition on Color Dimensionality in Painting, The Gallery, New York, USA
Peter Nadin and Jessica Stockholder, Warren Adelson Gallery, New York, USA
Outside America: Going into the ‘90s, Fay Gold Gallery, Atlanta, USA
Stuttering, Stux Gallery, New York, USA
1991 Whitney Biennial, Whitney Museum of American Art, New York, USA
Le Consortium collectionne, Chateau d’Oiron, Oiron, France - 1990 The Technological Muse, Katonah Museum of Art, Katonah, USA
Le Choix Des Femmes, Consortium, Espace Frac and L’Usine, Dijon, France
Contingent Realms, The Whitney Museum of American Art at Equitable Center, New York, USA
Detritus, Jack Tilton Gallery, New York, USA
Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York, USA
Daniel Weinberg Gallery, Santa Monica, USA Jack Tilton Gallery, New York, USA
Information, Terrain, San Francisco, USA
Pop 90, Postmasters Gallery, New York, USA - 1989 Berkshire Art Association 1989 Exhibition of Painting and Sculpture, Berkshire Museum, Pittsfield, USA
American Fine Arts, Co., New York, USA
A Climate of Site, Barbara Farber Gallery, Amsterdam, The Netherlands
Galerie Xavier Hufkens, Brussels, Belgium
Making a Clean Edge, PS1, Long Island City, New York, USA - 1988 Artists and Curators, John Gibson Gallery, New York, USA
- 1985 Selections from the Artists File, Artists Space, New York, USA
Wall Sandwich, Melinda Wyatt Gallery, New York, USA - 1982 Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, Canada
Graduation Exhibit, McPherson Library Gallery, University of Victoria, Victoria, Canada Monographs
Monographs
- 2019 Laurie Cluitmans,Jessica Stockholder: Stuff Matters, Centraal Museum, Utrecht, The Netherlands
- 2018 Germano Celant, ed., Jessica Stockholder: Revised and Expanded Edition, Phaidon Press, Ltd., London, UK
- 2012 Steven Henry Madoff, Jessica Stockholder: Wide Eyes Smeared Here Dear, Musee d’Art Moderne, Saint-Etienne Metropole, France
- 2011 Jessica Stockholder: Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis, USA
- 2010 ABC Taste: The Perfect Guest, Captures Editions, Valence, France
- 2009 Jessica Stockholder: Coating, Les Editions Incertain Sense/Universite Rennes, Rennes, France
Jessica Stockholder and Adam Weinberg, Jessica Stockholder: Flooded Chambers Maid, Madison Square Art, New York, USA - 2005 Jessica Stockholder: White Light Laid Frozen-Bright Longing and Soggy Up the Hill, Kunsthallen Brandts, Odense, Denmark
Michel Gauthier and Giorgio Verzotti, Jessica Stockhodler, hopefulmonster with Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy - 2003 Elspeth Carruthers, ed., Jessica Stockholder, Kissing the Wall: Works 1988–2003, Marquand Books, Seattle, USA; Blaffer Art Museum, Houston, USA; Weatherspoon Art Museum, Greensboro, USA
- 2002 Jessica Stockholder, K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany; Stiftung Wilhelm Lehmbruck Museum, Duisburg, Germany
- 2001 Jessica Stockholder: Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder), Varlag für moderne Kunst, Nürnberg, Germany; Kunstmuseum St. Gallen, St. Gallen, Switzerland
- 2000 Marc Mayer and Jessica Stockholder, Jessica Stockholder: First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto, Canada
- 1999 Alex Farquharson, ed., Jessica Stockholder: With Wanton Heed and Giddy Cunning Hedging Red and That’s Not Funny, Centre for Visual Arts, Cardiff, UK
- 1998 Friedrich Meschede, ed., Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, Munich, Germany
Arielle Pélenc and Jessica Stockholder, Jessica Stockholder: Nit-Picking Trumpets of Iced Blue Vagaries, Musee Des Beaux-Arts De Nantes, Nantes, France - 1997 Greg Hilty, ed., Jessica Stockholder: Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerp, Belgium
Jessica Stockholder, et al., Jessica Stockholder: Slab of Skinned Water, Cubed Chicken & White Sauce, Kunsternes Hus, Oslo, Norway
Jean-Pierre Criqui, ed., Jessica Stockholder, Musée Picasso d’Antibes, Antibes, France
Jessica Stockholder: 9 Installations, Edition du Centre d’art imprimé, Paris, France - 1996 Saul Ostrow, The Point of Departure: Moira Dryer, Jessica Stockholder, Gallery of Art, Overland Park, USA
Jennifer Gross, Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, USA
Lynne Cooke, ed., Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the Arts, New York, USA
Anthony Iannacci, Jessica Stockholder, Studio La Città, Verona, Italy - 1995 Lynne Cooke, ed., Jessica Stockholder, Phaidon Press, London, UK
Jessica Stockholder and Jeffrey Swartz, Jessica Stockholder: Sweet for Three Oranges, Fundació “la Caixa”, Barcelona, Spain - 1993 Trevor Richardson, Pink Lady: Jessica Stockholder, Weatherspoon Art Gallery, University of North Carolina, Greensboro, USA
Jan Avgikos, ed., Jessica Stockholder: Edge of Hothouse Glass, Carré d’Art Musée d’Art Contemporain de Nîmes, Nîmes, France
Friedrich Meschede, ed., Jessica Stockholder, Westfälischer Kunstverein, Munich, Germany; Kunsthalle Zürich, Zurich, Switzerland
Chris Dercon, ed., Jessica Stockholder, Witte de With, Rotterdam, The Netherlands; The Renaissance Society, University of Chicago, Chicago, USA - 1991 Thea Westreich, Peter Nadin / Jessica Stockholder, Warren Adelson Gallery, New York, USA
Mark Holmes, Jessica Stockholder, The Contemporary Art Gallery, Vancouver, Canada
Magazines and Periodicals
- 2024 Nicky Ni, ‘Mustard on the Foot: A Review of Jessica Stockholder – For Events at Hutchinson Courtyard’, New City Art, 30 April
- 2022 Will Heinrich, ‘Two Critics, 13 Favorite Booths at The Armory Show’, The New York Times, 8 September
- 2021 ‘Office Hours: Jessica Stockholder, University of Chicago Visual Arts Department’, e-flux, 8 December
Giuseppe Amedeo Arnesano, ‘Interview with Jessica Stockholder: What is normal’, ATP Diary, 17 August - 2020 ‘COVID-19 and the Creative Process(es): Jessica Stockholder’, New Art Examiner, June
David Pagel, ‘Review: In This LA Gallery, One Artist Puts her “Digital Thoughts” into Orbit’, Los Angeles Times, 22 February
Bhrigupati Singh, ‘How Things Still Matter’, Art India, January - 2019 Jeremy Sigler, ‘Stockholder in Utrecht’, Tablet, 27 June
Christopher Knight, ‘MOCA on the Rebound? Three Strong Shows and Free Entry are Welcome Signs of Change’, Los Angeles Times, 12 June - 2018 Stephanie Buhmann, New York Studio Conversations II: Twenty-One Women Talk About Art, Vol. 2, The Green Box
- 2017 Hili Perlson, ‘4 Things You Can’t Afford to Miss at MIART 2017’, Artnet News, 31 March
- 2016 David Frankel, ‘Jessica Stockholder, Mitchell-Innes & Nash’, Artforum, December 2016
Stephanie Cristello, ‘Jessica Stockholder: Door Hinges’, Art Review, December
Terry Myers, ‘Jessica Stockholder “Roses Inclination” and “Door Hinges”’, Brooklyn Rail, November
Taylor Dafoe, ‘Everyday Abstraction: A Q&A with Jessica Stockholder’, Blouin ArtInfo, August
Evan Moffitt, ‘Jessica Stockholder’, Frieze, August
‘Degrees of Separation, From Piero della Francesca to Jessica Stockholder’, Tate Magazine, Issue 3, Spring
Nicolas Linnert, ‘Assisted’, Artforum, February
Arielle Bier, ‘Review: Jessica Stockholder’s “Door Hinges” and “Assisted”’, Art Agenda, 11 January - 2015 Stephanie Cristello, ‘Jessica Stockholder: Door Hinges’, ArtReview, December
Terry R. Myers, ‘Jessica Stockholder’, The Brooklyn Rail, 5 November
Lori Waxman, ‘Bathtub or mattress, it’s all art to Jessica Stockholder’, Chicago Tribune, 28 October
Stephanie Cristello, ‘Assisted: Kavi Gupta Gallery’, The Seen, 28 October
Caroline Picard, ‘Jessica Stockholder’, Artforum, October
Robin Dluzen, ‘Jessica Stockholder’, Visual Art Source, October
Elliot Reichert, ‘Portrait of the Artist: Jessica Stockholder’, Newcity Art, 29 September
Brian Boucher, ‘Plan Your Armory Week 2015 With Our Guide to Best Art on Show’, artnet news, 2 March - 2014 ‘Your Concise Guide to the 2014 Miami Art Fairs’, Hyperallergic, 1 December
Eileen Kinsella, ‘Expo Chicago Breathes New Life into the Windy City Art Scene’, artnet news, 16 September
‘Jessica Stockholder/Karla Black at Galleria Raffaella Cortese’, Mousse Magazine, Issue 44, Summer - 2013 Charlie Ambler, ‘Tiered Thinking: Sculpting the City of Angels’, Modern Painters, July
Robert Enright, ‘Taking Notice: An Interview with Jessica Stockholder’, Border Crossings 127
Caroline Picard, ‘Jessica Stockholder’, Art ltd., September
Gwenda Blair, ‘At a Busy Intersection, Going Beyond Red, Yellow and Green’, New York Times, 6 June
John Metcalf, ‘CITIES, Chicago’s Downtown Goes All 1980’s with Immense, Fluorescent Art’, The Atlantic, 1 June - 2012 Chiara Milioulis, ‘Color the Loop’, Today’s Chicago Woman, May
Lauren Weinberg, ‘Jessica Stockholder Completes Color Jam in the Loop’, TimeOut Chicago, 31 May
Victoria Coleman, ‘Color Jam Aims to Brighten Up the Loop’, NBC Chicago, 30 May
Stefano Esposito, ‘Splash of Color for Loop’, Chicago Sun Times, 30 May
‘30 Days of Summer’, Vogue, 29 May 2012
Matt Krc, ‘New Public Art Piece Largest, Trippiest in Chicago’s History’, AV Club Chicago, 25 May
Christine Bednarz, ‘Color Jam in Chicago’, Huffington Post, 16 May
Mark Caro, ‘“Color Jam” Lights up the Loop’, Chicago Tribune, 4 June 2012
Daniel Baird, ‘Stand Up Performance’, Canadian Art, Winter - 2011 Nancy Princenthal, ‘The Jewel Thief’, Art in America, 5 January
Holland Cotter, ‘New Sparkle for an Abstract Ensemble’, The New York Times, 6 January - 2010 Jens Asthoff, ‘Jessica Stockholder: Peer Out to See’, Artforum.com, December
- 2009 Carol Kino, ‘Go Ahead, Play With (And On) the Art’, The New York Times Arts and Leisure, 14 June
Vincent Katz, ‘Image/Word’, Tate Etc., Issue 16, Summer
‘Jessica Stockholder’, The New Yorker, 26 May
‘Art Fag City Two Great Shows in Chelsea’, The L Magazine, 22 May
Lance Esplund, ‘Jessica Stockholder: Three Exhibitions’, Wall Street Journal, 16 May
Francesca Mataraga, ‘Expanded Painting in the Work of Helio Oiticica and Jessica Stockholder’, The International Journal of the Arts in Society, Vol. 3, No. 4 - 2007 Amra Brooks, ‘Must See Art: Jessica Stockholder’, LA Weekly, 26 September
- 2006 Cynthia Nadelman, ‘Jessica Stockholder’, Artnews, December
Stephanie Buhmann, ‘ArtSeen: Jessica Stockholder’, The Brooklyn Rail, November
Peter Schjeldahl, ‘Art Stockpiled’, The New Yorker, October
Martha Schwendener, ‘Jessica Stockholder at Mitchell-Innes & Nash, Art in Review’, The New York Times, 29 September
Ken Johnson, ‘Contrasts in Sculpture, In Theme and in Medium’, The New York Times, 21 February
Elizabeth Schambelan, ‘1000 Words: Jessica Stockholder’, Artforum, January - 2005 Frances Colpitt, ‘Jessica Stockholder: A Merging of Mediums’, Art in America, February
- 2004 Claire Barliant, ‘Critics’ Picks: Jessica Stockholder, Rice University Art Gallery’, Artforum, 14 October
Mark Cheetham, ‘Crossovers, Visual Arts: Jessica Stockholder’, Border Crossings 91
Ken Johnson, ‘The 179th Annual’, The New York Times, 14 May
Nancy Princenthal, ‘Jessica Stockholder at Gorney Bravin + Lee’, Art in America, March
Evence Verdier, ‘Jessica Stockholder’, Art Press, February - 2003 David Cohen, ‘Arts & Letters: Gallery-Going’, The New York Sun, November
Kim Levin, ‘When a “tender collision” becomes an artist’s “situation”‘, The Village Voice, November
Roberta Smith, ‘Review: Jessica Stockholder’, The New York Times, 31 October
‘Reviews: Jessica Stockholder’, The New Yorker, 3 November
Linda Yablonsky, ‘Art Reviews: Jessica Stockholder’, TimeOut New York, October
Adrian Dannatt, ‘Contemporary Commercial Galleries: Jessica Stockholder Table Top Sculpture’, The Art Newspaper, No. 140, October
Jan Tumlir, ‘Trespassing: Houses x Artists’, Frieze, Summer
Louise Roug, ‘Home as art, and vice versa’, LA Times, 15 May
Linda Yablonsky, ‘Even the Kitchen Sink’, ARTnews, May
‘The 1980’s: Part Two’, Artforum, April - 2002 Daniele Perra, ‘Jessica Stockholder at Galleria Raffaella Cortese’, Tema Celeste
Aruna D’Souza, ‘Reviews: Jessica Stockholder at Gorney Bravin + Lee’, Art in America, October
Rossella Moratto, ‘Le Costruzioni di Jessica Stockholder’, Art & Job Magazine, 27 February
Luca Beatrice, ‘Stockholder: alla ricerca della casualità’, Arte, February
Gottlieb Leinz, ‘Jessica Stockholder: Jenseits der Malerei, Duisburg’, Vernissage, Winter
Pia Müller-Tamm, ‘Jessica Stockholder: On the Spending Money Tenderly, Eine Installation in K20 Kunstsammlung Nordrhein-Westfalen’, Vernissage, Winter - 2001 Michael Rush, ‘In Santa Fe, Searching for the Meaning of Beauty’, The New York Times, 8 July
Roberta Smith, ‘Quick as A Shutter, Group Shows Shatter Conventional Wisdom’, The New York Times, 6 July
Barbara Pollack, ‘Reviews: Jessica Stockholder at Gorney Bravin + Lee’, ARTnews, Summer
Christopher Chambers, ‘Jessica Stockholder at Gorney Bravin + Lee’, Flash Art, May
‘Galleries Downtown: Jessica Stockholder’, The New Yorker, 12 March
Holland Cotter, ‘Review: Jessica Stockholder’, The New York Times, 2 March
‘Working Proof: Jessica Stockholder’, Art on Paper, March
Kim Levin, ‘Voice Choices: Jessica Stockholder’, The Village Voice, 27 February
David Ryan, ‘Jessica Stockholder: the theater of the inferred’, CVA (Contemporary Visual Arts), UK, Issue 32 - 2000 Ronald Berg, ‘Die Dienstleister’, Der Tagesspiegel, 2 December
Annelie Lütgens, ‘Schnittemenge Schwitters’, Der Tagesspiegel, October
Petra Bosetti, ‘Auf die Besucher wird geschlossen’, Art, Hamburg, 20 September
‘Kunst: Sprengel Museum: Aller Anfang ist MERZ’, Hannover Live, September
Dorothee Müller, ‘Kurt Schwitters – Kein Fall für den Abfall’, Süddeutsche Zeitung, 28 August
Peter Winter, ‘Ursonate in der Kathedrale des erotischen Elends’, Frankfurter Allgemeine Zeitung, 25 August
Ursula Bunte, ‘Alle Dinge der Welt verknüpft’, Kölnische Rundschau, 25 August
Jochen Stockmann, ‘Müll war sein Motiv’, Focus (München), 21 August
Alexandra Glanz, ‘Die Dinge der Welt’, Hannoversche Allgemeine Zeitung, August
Alexandra Glanz, ‘Das Sommergeschwitter’, Hannoversche Allgemeine Zeitung, 4 August
Hugh Eakin, ‘Dia’s New Direction’, ARTnews, June
Cecilia Anderson, ‘Artists for Hire: Houses X Artists’, NU: The Nordic Art Review, May - 1999 William Feaver, ‘The Century’s 25 Most Influential Artists: Picasso, Leading Man’, ARTnews, May
Kenneth Baker, ‘Rauschenberg Coup at SFMoMA’, San Francisco Chronicle, 8 May
Sarah Milroy, ‘Jessica Stockholder’s Material World’, The Globe and Mail Visual Arts, 2 January - 1998 Faye Hirsch, ‘Working Proof: Turning Paper’, On Paper, May
William Zimmer, ‘Show of Work Resembling Items at Hand’, The New York Times, March - 1997 Robert Storr, ‘Just Exquisite?: The Art of Richard Tuttle’, Artforum, November
Raphael Rubinstein, ‘Abstraction Out of Bounds’, Art in America, November
‘Artists Today, The Latest Trends in Art: Objects Transformed’, Scholastic Art, March - 1996 Malin Wilson, ‘Coming to Our Senses’, Art Issues, November
Jessica Tomlinson, ‘Target Art opening Invited Participation’, Portland Press Herald, 7 November
Peter Halley, ‘Il silenzio di ghiaccio / Icy Silence’, Tema Celeste, Autumn
Anthony Iannacci, ‘Installation als Illustration eines Denkprozesses: Jessica Stockholder im Dia Center for the Arts, New York’, Kunst Bulletin (Zürich), April
Paul Gardner, ‘Studio Visits: Pleasure, Pain & Protocol’, Artnews, March
Jessica Stockholder, ‘Self-portrait by Jessica Stockholder (Dia)’, The New Yorker, 4 March
Suzanne Lingemann, ‘Jessica Stockholder’, Art (Hamburg)
‘Jessica Stockholder’, Metropolis M, Utrecht, April
Roberta Smith, ‘Art in Review’, The New York Times, 3 February
Kim Levin, ‘The Joy of Curating’, Village Voice, 21 February
‘Wham: Jessica Stockholder’, Interview, February - 1995 Michael Kimmelman, ‘A Wrapped Reichstag: That’s the Spirit’, The New York Times, 31 December
Rafael Rubenstein, ‘Shapes of Things to Come’, Art in America, November
Nancy Princenthal, ‘Jessica Stockholder: Reinventing the Real’, Art + Text, Australia, October
Roni Feinstein, ‘Jessica Stockholder: Chaos Theory’, Canadian Art, September
Barry Schwabsky, ‘Jessica Stockholder’, Art Press, Fall
Daniel Birnbaum, ‘Jessica Stockholder’, Dagens Nyhter, 16 July
Patricia van Ulzen, ‘Jessica Stockholder’, Jong Holland, Tijdschrift voor kunst en vormgeving na 1850 (Rotterdam), June
Michael St. John, ‘Jessica Stockholder’, Here and Now: 13 Artists in the Studio (Mass Productions for Channel 16), 21 May
Rafael Rubenstein, ‘Full Circle’, Art in America, May - 1994 Maïten Bouisset, ‘Le Consortium: Deux Collections ...l’Université’, Art Press, February
- 1993 Eric Troncy, ‘Painting from All Over to All Round: Lauren Szold and Jessica Stockholder Start Gigging’, Flash Art, January
Patrick Chamberlain, ‘On an Antidote’, Witte de With - Cahier #1, October
Connie Butler, ‘Terrible Beauty and the Enormity of Space’, Art and Text, September
Jessica Stockholder, ‘Parallel Parking’, Turn-of-the-Century Magazine, Spring
Lisa Liebman, ‘Junk Cultured’, Frieze, March
Cheryl Donegan, ‘One Portrayal, Four Portraits’, Tema Celeste, Winter - 1992 Jessica Stockholder, ‘The Question of Gender in Art’, Tema Celeste, Fall
Stephen Westfall, ‘Interview with Jessica Stockholder’, Bomb, September
Claudia Jaeckel, Art Das Kunstmagazin, May
Hans-Ulrich Obrist, ‘The Installation is Coming Through The Backdoor’, Meta 1 Die Kunst und Ihr Oht, January - 1991 Berta Sichel, ‘Undomesticated Still Lifes: the order and disorder of Jessica Stockholder’, Balcon, January
Jessica Stockholder, ‘Interview with Jessica Stockholder’, The Journal of Contemporary Art, Spring/Summer
Robert Mahoney, ‘Jessica Stockholder’, Tema Celeste, March
Eva Schmidt, Kunstforum, January - 1990 Addison Parks, ‘Going it Alone with Sculpture’, The Christian Science Monitor, 29 November
Jack Bankowsky, ‘The Obligatory Bed Piece’, Artforum, October
Jerry Saltz, ‘Notes on a Sculpture: Mis-appropriation, Jessica Stockholder’s Sculpture with No Name’, Arts Magazine, April
Robert Nickas, ‘The State of Things, questions to three object-conscious artists’, Flash Art, March
Published Writing by Artist
- 2020 Jessica Stockholder, ‘Talking Art and About Training: My Invitation to Catherine Sullivan and Pope.L’, The Journal of the National Academy of Design, 21 October
- 2018 Jessica Stockholder, ‘Between Her Garden and the Studio: Jessica Stockholder on Laura Letinsky, Part II’, Painters on Paintings, 25 March
Jessica Stockholder, ‘Between Her Garden and the Studio: Jessica Stockholder on Laura Letinsky, Part I’, Painters on Paintings, 15 March - 2009 Jessica Stockholder, ‘Swiss Cheese Field – And Sculpture Mingled’, Yale University Art Gallery Bulletin, State of the Art: Contemporary Sculpture
- 1995 Jessica Stockholder, ‘A Project for Artforum by Jessica Stockholder’, Artforum, February
- 1993 Jessica Stockholder, ‘Figure Ground Relations, Part 1: Catchers Hollow & Part 2: Self Portrait’, Witte de With – Cahier #1, October Published Writing by the Artist
Public and Commissioned Works
- 2019 Cloud Storage, McDonald’s Headquarters, Chicago, USA
- 2016 Color Jam Houston, presented by Kavi Gupta Gallery, Houston, USA
- 2015 Roses Inclination, Smart Museum of Art, University of Chicago, Chicago, USA
- 2014 Angled Tangle, Art Basel Miami Beach Public 2014, Miami, USA
Once Upon a Time, EXPO Chicago, Navy Pier, Chicago, USA
Like Water If Pond As Lily, UCSF Medical Center, Mission Bay, San Francisco, USA - 2013 Projects Los Altos, SFMoMA, Los Altos, USA
Butterfly Legs, commissioned by L’association Calandreta Costa Pravada, Les Abattoirs, Toulouse, France - 2012 Color Jam, Chicago Loop Alliance, Chicago, USA
- 2009 Flooded Chambers Maid, Madison Square Park, New York, USA
- 2005 Lumps Bumps and Windy Figures, commissioned by Longjumeau, Institut des Hautes Études Scientifiques, Burs Sur Yvette, France
- 2002 Sign Waving Blush, Winterthur Insurance and Winterthur Life, 11 Unterstrasse, St. Gallen, Switzerland
- 1999 Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium
Hyphen Grapes in Comma the Road, Les Champs de la Sculpture 2000, Les Champs-Elysés, Paris, France - 1998 Houses x Artists, OpenOffice, Brooklyn, USA
- 1985 Beinecke Plaza, Yale University, New Haven, USA
Teaching Appointments
- 2011 – 2024 University of Chicago, USA; Chair, Department of Visual Arts
- 2018 Wissenschaftskolleg, Berlin, Germany, resident artist
- 1999 – 2011 Yale University, New Haven, USA; Director of Graduate Studies in Sculpture
- 1993 Skowhegan School of Painting and Sculpture, Skowhegan, USA; Mildred C. Brinn Endowed Chair
- 1992 – 1995 New York University, New York, USA
- 1992 – 1995 School of Visual Arts, New York, USA
Awards
- 2018 Elected to the American Academy of Arts & Sciences
- 2014 The National Academy Award for Excellence
The American Academy of Arts and Letters, Awards in Art - 2012 Anonymous Was A Woman Award
- 2011 National Academy of Design, elected National Academician 2007
Smithsonian American Art Museum, Lucelia Artist Award
Association Internationale des Critiques d’art, New England Chapter, First Place Award for the Best Installation or Single Work of Art in a Boston Museum - 2001 August Seeling Preis, Freundeskreis Wilhelm Lehmbruck Museum e.V., Duisburg, Germany
- 1996 John Solomon Guggenheim Fellowship Award, Visual Art
- 1989 New York Foundation for the Arts Grant in Painting
- 1988 National Endowment for the Arts Grant in Sculpture
- 1985 Susan H. Whedon Award, Yale University
First Alternate, Prix de Rome, American Academy of Rome Awards