Catriona Jeffries

Duane Linklater – CV

Duane Linklater
b. 1976, Moose Factory, Ontario, Canada
Lives and works in North Bay, Ontario, Canada

Education

• 2012 Master of Fine Arts, Film/Video, Milton Avery Graduate School of the Arts, Bard College, Annandale-on-Hudson, USA
• 2005 Bachelor of Fine Arts, Painting, University of Alberta, Edmonton, Canada
• 2003 Bachelor of Native Studies, University of Alberta, Edmonton, Canada

Selected Solo Exhibitions

• 2023 dressing, Bortolami, New York, USA
  mymothersside, Museum of Contemporary Art, Chicago, USA; Berkeley Art Museum and Pacific Film Archive, Berkeley, USA
  they have piled the stone / as they promised / without syrup, Art Gallery of Hamilton, Hamilton, Canada
• 2021 mymothersside, Frye Art Museum, Seattle, USA
• 2020 primaryuse, Catriona Jeffries, Vancouver
• 2017 apparatus for the circulation of Indigenous voices and ideas into the air, Western Front, Vancouver
  Determined by the river, in collaboration with Tanya Lukin Linklater, Remai Modern, Saskatoon, Canada
  Field Station: Duane Linklater, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, USA
• 2016 From Our Hands, 80WSE Gallery, NYU Steinhardt School, New York, NY; Mercer Union, Toronto, Canada
• 2015 salt 11: Duane Linklater, Utah Museum of Fine Arts, Salt Lake City, USA
• 2014 But the sun is up and you’re going?, Catriona Jeffries, Vancouver
  Modest Livelihood, in collaboration with Brian Jungen, VOX – Centre de l’image contemporaine, Montreal, Canada
  
• 2013 Decommission, MacLaren Art Centre, Barrie, Canada
  Modest Livelihood, in collaboration with Brian Jungen, Art Gallery of Ontario, Toronto, Canada
  Modest Livelihood, in collaboration with Brian Jungen, Catriona Jeffries, Vancouver
  Learning, Susan Hobbs Gallery, Toronto, Canada
  grain(s), in collaboration with Tanya Lukin Linklater, Images Festival, co-presented with Museum of Contemporary Canadian Art, Toronto, Canada
  Something About Encounter, Thunder Bay Art Gallery, Thunder Bay, Canada
  Secondary Explanation, The New Gallery, Calgary, Canada
• 2012 Modest Livelihood, in collaboration with Brian Jungen, Reva and David Logan Center for the Arts, University of Chicago, Chicago, USA
  Beothuck Building, Or Gallery, Vancouver
  Raspberry Cargo, Family Business, New York, USA
  Modest Livelihood, in collaboration with Brian Jungen, Walter Phillips Gallery, Banff, Canada, presented in collaboration with dOCUMENTA (13), Kassel, Germany
  Untitled (A Blueberry Garden for Bard College), on-site outdoor project, CCS Bard/Hessel Museum, Annandale-on-Hudson, USA
• 2011 Journey Through, White Water Gallery, North Bay, Canada
  Exhibition, East Van Studios, Vancouver
• 2009 Tiny Resident, University of Delaware, Newark, USA

Selected Group Exhibitions

• 2024 Native America: In Translation, Museum of Contemporary Photography, Chicago, USA
  Coast to Coast to Coast: Indigenous Art from the McMichael Canadian Art Collection, Albuquerque Museum, Albuquerque, USA
  Early Days, Chrysler Museum, Norfolk, USA; Musée national des beaux-arts du Québec, Quebec City, Canada
• 2023 New to the Collection, Marguilles Collection, Miami, USA
  Early Days, Heard Museum, Phoenix, USA
  SHIFT: Ecologies of Fashion, Form and Textile, Griffin Art Projects, North Vancouver, Canada
  choreographies of the impossible, 35th Bienal de São Paulo, São Paulo, Brazil
  Offsite Gathering, Swiss Institute, David Horvitz’s 7th Ave Garden, Los Angeles, USA
  Of Mythic Worlds: Works from the distant past through the present, The Drawing Center, New York, USA
  Native America: In Translation, Milwaukee Art Museum, Milwaukee, USA; USF Contemporary Art Museum, Tampa, USA
  Junkyard of Dreams, Bortolami, New York, USA
• 2022 Whitney Biennial 2022: Quiet as It's Kept, Whitney Museum of American Art, New York, USA
  Native America: In Translation, organized by Aperture Foundation, Princeton University Museum of Art, USA; Cantor Fitzgerald Gallery, Haverford College, Haverford, USA
• 2021 Unseeable, Catriona Jeffries, Vancouver
  The Myth Industry, Friends Indeed, San Francisco, USA
• 2020 Riopelle: The Call of Northern Territories and Indigenous Cultures, Musée des beaux-arts Montréal, Montreal, Canada
  Early Days, McMichael Canadian Art Collection, Kleinburg, Canada
• 2019 Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater, Artists Space, New York, USA
  SOFT POWER, SFMOMA, San Francisco, USA
  Person/ne, Griffin Art Projects, North Vancouver
  Haunt, in collaboration with Brian Jungen, Institute of Modern Art, Brisbane, Australia
  Unexplained Parade, Catriona Jeffries, Vancouver
  Creative Cloth: Aesthetics and Apparel, Museum London, London, ON, Canada
• 2018 Post-Nature—A Museum as an Ecosystem, Taipei Biennial, Taipei Fine Arts Museum, Taipei, Taiwan
  Becoming American, Cefalonia, Seattle, USA
  Beautiful world, where are you?, Liverpool Biennial, Liverpool, UK
  Echoes, Remai Modern, Saskatoon, Canada
  Agora, The High Line, New York, USA
  The Light Fantastic, Art Gallery of Nova Scotia, Halifax, Canada
• 2017 Insurgence/Resurgence, Winnipeg Art Gallery, Winnipeg, Canada
  Monument Lab: A Public Art and History Project, organized by Mural Arts Philadelphia, Philadelphia, USA
  In Dialogue, University of Toronto Art Centre, Toronto, Canada
  In Search of Expo 67, Musée d’art contemporain de Montréal, Montreal, Canada
  Propped, Oakville Galleries, Oakville, Canada
• 2016 10/10, Mann Art Gallery, Prince Albert, Canada
  NERIRI KIRURU HARARA, SeMa Biennale, Mediacity Seoul, Seoul Museum of Art, Seoul, South Korea
  The State, Plug In ICA, Winnipeg, Canada
  Itasca, The Bindery Projects, St. Paul, USA
  A Parallel Excavation: Duane Linklater and Tanya Lukin Linklater, Art Gallery of Alberta, Edmonton, Canada
  We Are The People, Mary Elizabeth Dee Shaw Gallery, Ogden, USA
• 2015 Many things brought from one climate to another, Art Gallery of Ontario, Toronto, Canada
  Accompaniment, EFA Project Space, New York, USA
  Playing Pool with Eggs, Galerie Bernhard, Zurich, Switzerland
  Beyond the Pines: Homer Watson and Contemporary Canadian Landscape, Art Gallery of Mississauga, Mississauga, Canada
  O Horizon, Nanaimo Art Gallery, Nanaimo, Canada
  An Evening Redness in the West, IAIA Museum of Contemporary Native Arts, Santa Fe, USA
  Residue: The Persistence of the Real, Vancouver Art Gallery, Vancouver
  Infiltrations, in collaboration with Brian Jungen, Centre D’Art Bastille, Grenoble, France
  Folklore and Other Panics, The Rooms Provincial Art Gallery, St. John’s, Canada
• 2014 One step ahead going backwards, in collaboration with Brian Jungen, LEAP, Berlin, Germany
  Narrative/Performative, Kunst Raum Riehen, Basel, Switzerland
  Work in Public, Decad, Berlin, Germany
  Beat Nation: Art, Hip Hop and Aboriginal Culture, MacKenzie Art Gallery, Regina, Canada; Dalhousie Art Gallery, Dalhousie University, and St. Mary’s University Art Gallery, Halifax, Canada
  Cigarette Beetle (Lasioderma serricorne), Where, New York, USA
  Unstuck In Time, Te Tuhi, Auckland, New Zealand
  Where Do I End and You Begin, in collaboration with Brian Jungen, Edinburgh Art Festival, City Art Centre, Edinburgh, Scotland
  It means it is raining, for ICA@50: Pleasing Artists and Publics since 1963, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
• 2013 Beat Nation: Art, Hip Hop and Aboriginal Culture, Kamloops Art Gallery, Kamloops; Musée d’art contemporain de Montréal, Montreal, Canada
  Fiction/Non Fiction, Esker Foundation, Calgary, Canada
  Sobey Art Award Exhibition, Art Gallery of Nova Scotia, Halifax, Canada
  Situated – A Forum on Film as a Short Form: Outdoor Cinema, The White Building, presented in collaboration with The Lab Film Festival, London, UK
  Way Stations, The Nightingale Cinema, Chicago; Microscope Gallery, Brooklyn, USA
  First Nations, Eiteljorg Museum, Indianapolis, USA
  Chasse et Chassé, Domaine départemental de la Garenne Lemot, Gétigné-Clisson, France
• 2012 Beat Nation: Art, Hip Hop and Aboriginal Culture, Vancouver Art Gallery, Vancouver; The Power Plant Contemporary Art Gallery, Toronto, Canada
  An Impossible Distance, various locations, organized by David Horvitz
  Bard College MFA Graduate Exhibition, Bard College Exhibition Center/UBS Gallery, Red Hook, USA
  Up River, in collaboration with Tanya Lukin Linklater, Prince Albert Arts Centre, Prince Albert, SK, Canada
• 2011 Same Same but Different, Anthology Film Archives, New York, USA; OK. Video Festival, Jakarta, Indonesia; Images Festival, Toronto, Canada
  2nd year MFA exhibition, Bard College, Annandale-on-Hudson, New York, USA
  Life Rich, Wood Land School, North Bay, Canada
• 2010 1st year MFA exhibition, Bard College, Annandale-on-Hudson, New York, USA
  Hors Lieux, Galerie du Nouvel-Ontario, Sudbury, Canada
  96, The Other Gallery, The Banff Centre, Banff, Canada
  About Face, Art Gallery of Alberta, Edmonton, Canada
• 2009 Double Vision, Herron School of Art and Design, Indianapolis, USA
  Ideally, at Utopics–11th Swiss Sculpture Exhibition, Biel, Switzerland
  Lore, Foreman Art Gallery, Sherbrooke, Canada
  Transforming Motion, The Works Art and Design Festival, Edmonton; New Gallery, Calgary, Canada
  Art as Journey, The Other Gallery, The Banff Centre, Canada
• 2008 Ancestral Bonds, Art Gallery of Alberta, Edmonton, Canada
  Lore, Gallery 101, Ottawa, Canada
• 2007 Okiskinotahewewin/His Guidance, American Indian Film Festival, San Francisco, USA; Calgary International Film Festival, Calgary; Dreamspeakers Film Festival, Edmonton; ImagineNative Film Festival, Toronto, Canada
  Red Friends, Red Shift Gallery, Saskatoon, Canada
  Free for All, Art Gallery of Alberta, Edmonton, Canada
• 2006 In the Circle of Giving Back, ANDPVA, Toronto, Canada
  Talking Pictures: From the Sacred Circle to the Square Canvas, Art Gallery of Alberta, Edmonton, Canada
• 2005 Here and Now: Current Drawings, Art Gallery of Alberta, Edmonton, Canada
  Emerge, The Front Gallery, Edmonton, Canada
  Transmission, FAB Gallery, University of Alberta, Edmonton, Canada

Books and Exhibition Catalogues

• 2023 Joanna Ahlberg, ed., Of Mythic Worlds: Works from the Distant Past through the Present, The Drawing Center, New York, USA
• 2022 David Breslin and Adrienne Edwards, Whitney Biennial 2022: Quiet as It’s Kept, Exhibition Catalogue, Whitney Museum of American Art, New York, USA, 2022
• 2021 Amanda Donnan, ed., Duane Linklater: mymothersside, Frye Art Museum, Seattle, USA
• 2020 Eugine Joo, ed., Soft Power: A Conversation for the Future, SFMOMA, San Francisco; Rizzolia Electa, New York, USA
• 2018 Kitty Scott, Sally Tallant, and Sinéad McCarthy, eds., Beautiful World, Where Are You?, Art Books Publishing, London, UK
• 2017 Jamie Isaac and Julie Nagam, eds., Insurgence, Resurgence, Winnipeg Art Gallery, Winnipeg, Canada
  Beck Jee-Sook, Yekyung Kil, eds., SeMa Biennale Mediacity Seoul 2016: NERIRI KIRURU HARARA, Seoul Museum of Art, Seoul, Korea
• 2016 Erin Sutherland, Tiffany Shaw-Collinge, Tanya Lukin Linklater, and Duane Linklater, Duane Linklater and Tanya Lukin Linklater: A Parallel Excavation, Art Gallery of Alberta, Edmonton, Canada
• 2015 Whitney Tassie, salt 11: Duane Linklater, Utah Museum of Fine Arts, Salt Lake City, USA
  Grant Arnold, Residue: Persistence of the Real, Vancouver Art Gallery, Vancouver
  Mireille Eagan and Vicky Chainey Gagnon, Folklore and Other Panics, The Rooms Provincial Art Gallery, St. John’s, Canada
  Naomi Potter and Shauna Thompson, eds., Wonder and Resonance: Fiction/Non-fiction, Esker Foundation, Calgary, Canada
• 2014 Michael Taussig, Hunting and Looking, VOX – Centre de l’image contemporaine, Montreal, Canada
  Where do I end and you begin, Edinburgh Art Festival, Edinburgh, Scotland
  Maggie Groat, ed., The Lake, Art Metropole, Toronto, Canada
• 2013 Tanya Lukin Linklater and cheyanne turions, Decommission, MacLaren Art Centre, Barrie, Canada
  Althea Thauberger, Framework 8.13: Learning, Susan Hobbs Gallery, Toronto, Canada
  Raymond Boisjoly, Always new colours, The New Gallery, Calgary, Canada
  Duane Linklater, Cheryl L’Hirondelle, and Suzanne Morrisette, Something About Encounter, Thunder Bay Art Gallery, Thunder Bay, Canada
  Virginie Bourget, Éric Pessan, and Claude d’Anthenaise, Chasse et Chassé, Domaine départementale de la Garenne Lemot, Gétigné-Clisson, France
• 2009 Antoni Wojtyra and Annie Wu, eds., Ideally, W+W, Biel, Switzerland
• 2012 dOCUMENTA (13): Guidebook, Hatje Cantz, Berlin, Germany
  dOCUMENTA (13): The Book of Books, Hatje Cantz, Berlin, Germany
  Kathleen Ritter and Tania Willard, Beat Nation: Art, Hip Hop and Aboriginal Culture, Vancouver Art Gallery, Vancouver
• 2008 Ryan Rice, Lore, Gallery 101, Ottawa, ON, and Foreman Gallery, Bishop’s University, Sherbrooke, Canada
• 2005 Transmission: Bachelor of Fine Arts Graduate Catalogue, University of Alberta, Edmonton, Canada

Magazines and Periodicals

• 2024 Lori Waxman, ‘Indigenous artists take charge of the camera at MoCP’, Chicago Tribune, 2 April
  Margo Vansynghel, ‘Top curator’s departure a ‘great loss’ for Seattle and the Frye Art Museum’, The Seattle Times, 2 April
  Stella Occhialini, ‘Duane Linklater’s ‘mymothersside’ is Indigenous encyclopedia, insists on Native immortality’, The Daily Californian, 25 February
  Susan Aurinko, ‘Voices of the Americas: A Review of “Native America: In Translation” at MoCP’, Newcity Art, 6 February
• 2023 Erin Joyce, ‘The Top 50 Exhibitions of 2023’, Hyperallergic, 28 December
  Will Heinrich, ‘What to See in NYC Galleries in December’, The New York Times, 1 December
  Hrag Vartanian, ’12 Art Shows to See in New York This December’, Hyperallergic, 30 November
  Charles Lewis III, ‘“Custer had it coming”: Duane Linklater’s missives from an Indigenous present’, 48hills, 7 November 2023
  Anne Brice, ‘mymothersside: A tribue to the knowledge keepers in artist Duane Linklater’s family’, Berkeley News, 27 October
  Champe Barton, ‘In Duane Linklater’s mymothersside, Memory is Buried Deep in Objects’, KQED, 12 October
  Michael Irwin, ‘Art Toronto Introduces Discover Section’, Ocula, 26 September
  Jeanine Barone, ‘Toronto’s Vibrant Public Art Scene’, Forbes, 24 August
  Janis Hashe, ‘Coyote to The Cure’, East Bay Express, 23 August
  Lori Waxman, ‘Duane Linklater’s Messy Notions of Identity’, Hyperallergic, 17 July
  Silvia Arispe Bazan, ‘La Descarada libertad de expresión’, SUDACA, 30 June
  ‘Bienal de São Paulo announces participating artists’, Artforum, 29 June
  Federica Porro, ‘Speculative apparatus 4 for the work of nohkompan: Duane Linklater’, Generazione Critica, May
  Cassie Packard, ‘Of Mythic Worlds’, The Brooklyn Rail, May
  Kevin Lynch, ‘MAM Focuses on Native Perceptions in Photography’, Shepherd Express, April 5
  Ariella Budick, ‘Of Mythic Worlds, Drawing Center review — shapes in search of the eternal’, Financial Times, 21 March
  Vasia Rigou, ‘Representation as Liberation: A Review of Duane Linklater’s “mymothersside” at the MCA’, Newcity Art, 16 March
• 2022 Aruna D'Souza, ‘This year's expansive view of American art includes two Indigenous artists from Canada’, Galleries West, 13 June
  Jennifer S Musawwir, ‘Secrets Revealed at the Whitney Biennial’, DailyArt, 30 May
  Peter Brock, ‘The American Predicament of the 2022 Whitney Biennial’, Frieze, 10 May
  Barry Schwabsky, ‘Intentions Unfulfilled’, The Nation, 11 May
  Vivian Chui, ‘The 2022 Whitney Biennial Expands the Scope of 'American' Art’, Ocula, 27 April
  Aruna D'Souza, ‘Whitney Biennial 2022’, 4Columns, 15 April
  Jill Conner, ‘Beyond the Canonical Cube Whitney Biennial’s Quiet As It’s Kept Sings’, Riot Materials, 7 April
  Gabriella Angeleti, ‘Indigenous artists highlight shared histories of abstraction and survival in the Whitney Biennial’, The Art Newspaper, 7 April
  Giovanni Aloi, ‘Whitney Biennial quiet as it's Kept’, Esse, April Holland Cotter, ‘A Whitney Biennial of Shadow and Light’, The New York Times, 31 March
  Murray Whyte, ‘Restless and uncertain, the first Whitney Biennial since the pandemic began begs the question: Where do we go from here?’, The Boston Globe, 31 March
  Siddhartha Mitter, ‘From the Border, the Whitney Biennial Asks What American Art Can Be’, The New York Times, 23 March
  Jac Renée Bruneau, ‘Editorial: Grief’, C Magazine, Issue 151, Spring Lois Taylor Biggs, ‘Archives, Bones, and Polaroids’, C Magazine, Issue 151, Spring
  Sandra Hale Schulman, ‘Whitney Biennial features four Indigenous artists’, Indian Country Today, 27 February
  Siddhartha Mitter, ‘Whitney Biennial Picks 63 Artists to Take Stock of Now’, The New York Times, 25 January
• 2021 Brendan Kiley, ‘Explore Frye Art Museum’s intriguing new exhibit through these 5 works’, The Seattle Times, 1 October
  Lauren Gallow, ‘Save The Date For Duane Linklater’s Show at Frye Art Museum’, Luxe, 20 September
  Chase Hutchinson, ‘Cheap & Easy Things To Do in Seattle This Weekend: Sept 17-19, 2021’, EverOut Seattle, 17 September
  ‘Fall 2021 art preview’, AGOInsider, 8 September
  Amy Musser, ‘Events and Culture in Seattle–August 2021’, The Weather Report, August
  Christina Li, ‘Curator Christina Li delves into post-pandemic realities for her contribution to OVR: Portals’, Art Basel, 16 June
• 2020 Éric Clément, ‘Exposition Riopelle au MBAM: Un bijou virtuel dès le 1er décembre’, La Presse, 26 November
  Kevin Griffin, ‘Art Seen: Works reframe colonialism’s influence on art, capitalism and Indigeneity’, Vancouver Sun, 20 November
  Fahima Haque, ‘The Native Artists Showing Us What’s Happening in Indigenous America’, The New York Times, 10 September
  Dean Kissick, ‘A Short History of Artists Space’, Cultured, 8 January
  Andrea K. Scott, ‘A New Artists Space’, The New Yorker, 6 January
• 2019 Johanna Fateman, ‘Artists Space’, 4Columns, 20 December
  Karen Rosenberg, ‘Soft Power: When Political Art Walks a Very Fine Line’, The New York Times, 18 December
  Jason Farago, ‘Artists Space Re-emerges as an Enduring Downtown Alternative’, The New York Times, 12 December
  Rosie Prata, ‘Art Trip: Duane Linklater at Soft Power in San Francisco’, The Globe and Mail, 25 November
  Andrea K. Scott, ‘Winter Art Preview’, The New Yorker, 1 November
  Anita Katz, ‘Soft Power showcases world-changing art’, San Francisco Examiner, 30 October
  Sarah Hotchkiss, ‘SOFT POWER Pulls No Punches in SFMOMA’s Global Contemporary Survey’, KQED, 24 October
  Emily Scott, ‘Neon Monument to Philly's Indigenous history glows again’, WHYY, 14 October
  Emily S. Mendel, ‘Soft Power’, Culture Vulture, 10 October
  Suzanne Morrissette, ‘Practices of Learning’, The Capilano Review 3.38, Spring
• 2018 Jasmine Weber, ‘Edmonton Unveils an Indigenous Sculpture Park on Ancestral Lands’, Hyperallergic, 26 September
  Paula E. Kirman, ‘Indigenous art park opens in Edmonton to transform River Valley’, Windspeaker, 17 September
  Andy Battaglia, ‘“Activating Public Space”: A High Line Art Walk with Curator Cecilia Alemani’, Art News, 20 July
  Yaniya Lee, ‘Beautiful World, Where Are You?’, Canadian Art, 18 July
  Adrian Searle, ‘Liverpool Biennial review—a beautiful, violent, explosive world’, The Guardian, 16 July
  Rachel Cooke, ‘Liverpool Biennial 2018 review—the hunt for Merseyside treasures’, The Guardian, 15 July
  Eugenia Kisin, ‘Durable Remains: Indigenous Materialisms in Duane Linklater’s From Our Hands’, Art Margins 7.2, 15 July
  Aïcha Diallo, ‘Centering Indigenous Bodies, Thought and Practice’, América Latina, 19 June
  Lynn Giesbrecht, ‘New sculpture making a statement at MacKenzie Art Gallery’, Regina Leader-Post, 26 May
  Daniel McDermon, ‘8 Outdoor Installations in New York to Get Excited About’, The New York Times, 25 May
  Tammer El-Sheikh, ‘Dirty Words: Interesting’, Canadian Art, 21 May
  Mollie Cronin, ‘The Light Fantastic’, The Coast, 3 May
  Michael Peterson, ‘Echoes at Remai Modern in Saskatoon’, Akimbo, 2 May
• 2017 ‘Air and Running Water’, Border Crossings, Issue 144, December
  Brad Bellegarde, ‘Exhibit at Remai Modern to open with talks about museums and Indigenous artifacts’, CBC News online, 3 November
  Sean J. Patrick Carney, ‘Taking Up Space: An Interview with the Wood Land School’, Art in America, 30 October
  Marsha Lederman, ‘At the arrowhead of art itself’, The Globe and Mail, 20 October
  Amara McLaughlin, ‘Indigenous artist’s “monsters” link past and present in Don River Valley Park’, CBC News, 30 September
  Murray Whyte, ‘Duane Linklater’s ruins of Toronto history on the banks of the Don River’, The Toronto Star, 22 September
  John G. Hampton, Duane Linklater, Tanya Lukin Linklater, and cheyanne turions, ‘Wood Land School Goes to Documenta: A Talk on Indigenous Institutional Critique, Part 2’, Canadian Art, 31 August
  Benjamin Sutton, ‘The Origins of Indigenous Objects and the Distances They Travel’, Hyperallergic, 28 August
  Vincent Shilling, ‘Art Museum at University of Toronto Presents In Dialogue Exhibit by 11 Indigenous Artists’, Indian Country Today, 24 August
  Kitty Scott, ‘What Then Remainz? Duane Linklater in Conversation with Kitty Scott’, Mousse Magazine, Issue 59, Summer
  John G. Hampton, Duane Linklater, Tanya Lukin Linklater, and cheyanne turions, ‘Inside a Year-Long Experiment in Indigenous Institutional Critique’, Canadian Art, 2 May
  Elizabeth Buhe, ‘Duane Linklater at 80WSE’, Art in America, 17 March
  Jonah Gray, ‘Wood Land School: A Brief Report’, C Magazine, Issue 133, Spring
  Julia Lum, ‘Monsters of the Urban Unconscious’, Canadian Art, Spring
  Hrag Vartanian, ‘A Soon-to-Be-Hidden Artwork in NYC Spells Out the Realities of Native American Life’, Hyperallergic, 10 February
  Holland Cotter, ‘What to See in New York Galleries This Week’, The New York Times, 12 January
  Katherine Brewer Ball, ‘Critic’s Picks: Duane Linklater’, Artforum, January
  ‘Goings On About Town: Duane Linklater’, The New Yorker, January
  Lindsay Pollock, ‘The Lookout: Duane Linklater’, Art in America, January
• 2016 Noa Bronstein, ‘The State’, Border Crossings, Issue 140, December
  Frances Loeffler, ‘Review: Duane Linklater, Mercer Union, Toronto, Canada’, Frieze, 11 October
  Alexander Provan, ‘Unknown Makers’, Art in America, October
  Merray Gerges, ‘Duane Linklater Imagines Indigenous Futures’, Canadian Art, 14 September
  Aileen Burns and Johan Lundh, ‘What Does Art Do? Canadians Make a Mark at Gwangju Biennials’, Canadian Art, 8 September
• 2015 Andrea L. Ferber, ‘Lost in Translation: Duane Linklater’, Art in Print, Vol. 5, No. 4, November/December
  Lizzy Hill, ‘Folklore and Other Panics at The Rooms Provincial Art Gallery’, National Gallery of Canada Magazine, 9 February
• 2013 Milena Tomic, ‘Reviews: Duane Linklater, Susan Hobbs, Toronto’, Art In America, December
  Leah Sandals, ‘Duane Linklater: From the Inside Out, in Barrie’, Canadian Art, December
  Murray Whyte, ‘Two artists go moose hunting’, Toronto Star, 26 October
  Leah Sandals, ‘Duane Linklater Wins $50,000 Sobey Art Award’, Canadian Art, 9 October
  Bryne McLaughlin, ‘Critics’ Picks: Duane Linklater’, Artforum, July
  Murray Whyte, ‘Duane Linklater: Two worlds, gently colliding’, Toronto Star, 22 June
  Sarah Zabrodski, ‘Reclaiming Tonto and Appropriating Jay-Z’, Hyperallergic, 23 April
  Clint Burnham, ‘Duane Linklater: The Julian Assange of Native Art?’, Canadian Art, Spring
  Lori Waxman, ‘Artists from Canada’s First Nations go hunting with a film camera’, Chicago Tribune, 16 January
• 2012 Daniel Baird, ‘Beat Nation: Art, Hip Hop and Aboriginal Culture at the Power Plant’, Toronto Star, 16 December
  cheyanne turions, ‘Time and Change in Film’, Montecristo Magazine, Winter
  Zachary Cahill, ‘Critics’ Picks: Brian Jungen and Duane Linklater’, Artforum, 4 September
  Lisa Myers, ‘Beat Nation: Art, Hip Hop and Aboriginal Culture’, C Magazine, Autumn
  Nancy Tousley, ‘Brian Jungen & Duane Linklater: Hunting Retreat’, Canadian Art, August 17
  Sarah Milroy, ‘Unspooling the landscape with Brian Jungen and Duane Linklater’, The Globe and Mail, August 3
  Robin Laurence, ‘Beat Nation’, Border Crossings, Issue 123, August
• 2010 Stefan Sulzer, ‘Annie Wu and Antoni Wojtyra: Ideally’, C Magazine, Issue 105, Spring
• 2009 Tammy McGrath, ‘Moving Forward, Looking Back’, Fuse Magazine, October
  Travis Murphy, ‘Rezdogs and City Slickers: Transforming Motion takes a long look at First Nations identity’, FFWD Weekly, 21 May
  Mike Landry, ‘Rezdog’, Things of Desire online, Issue 35, 14–20 May
  Matthieu Petit, ‘LORE: FolkLORE’, Voir online, 14 May

Artists’ Books and Special Projects

• 2021 ‘goose call chord progression for the emancipation of our ancestors back to our mother’, Hans Ulrich Obrist, Kostas Stasinopoulos, eds., 140 Artists’ Ideas for Planet Earth, Penguin, London, UK
• 2017 Pretty Girl, web commission, Remai Modern, Saskatoon, Canada
• 2015 ‘Sunrise at Cape Spear Newfoundland’, C Magazine, Spring, Toronto, Canada
• 2014 Untitled Walk, Art Metropole, Toronto, Canada
  Map Screen | The Anthropology Effect, Map Magazine, Glasgow, Scotland
• 2007 His Guidance, First Stories, National Film Board of Canada

Public Commissions

• 2018 mikikwan, ᐄᓃᐤ (ÎNÎW) River Lot 11∞, Indigenous Art Park, Edmonton, Canada
  Kâkikê/Forever, MacKenzie Art Gallery, Regina, Canada
• 2017 Monsters for Beauty, Permanence and Individuality, The Don River Valley Park Art Program, Lower Don Trail, organized by Evergreen Brickworks, Toronto, Canada

Residencies

• 2017 Wood Land School: Drawing Lines from January to December, SBC Gallery of Contemporary Art, Montreal, Canada
• 2014 Audain Visual Artist in Residence, Simon Fraser University, Vancouver, Canada
• 2013 Lead faculty, Wood Land School: What Colour is the Present?, The Banff Centre, Banff, Canada
• 2012 The Retreat: A Position of dOCUMENTA (13), The Banff Centre, Banff, Canada
• 2010 Master Class: The Object of Art and the Art of Object with Ken Lum, The Banff Centre, Banff, Canada
• 2009 Archive Restored Residency, The Banff Centre, Banff, Canada

Artist Talks, Performances and Lectures

• 2021 eagles with eyes closed for the sun tunnels, performance, with Tobias Linklater, Dia Chelsea, New York, USA
• 2017 ‘Distances, Origins, and Other Concerns, for What Now? 2017: The Politics of Land’, talk, Art in General, Brooklyn, USA
  Kinship, Communistas, Comunidad: Symposium, University of Toronto Art Centre, Toronto, Canada
  Museums on Fire: A Scenology by Sami artist Anders Sunna and a Symposium, Office for Contemporary Art Norway, Oslo, Norway
  Visiting Artist Lecture, Northwestern University, Evanston, USA
• 2016 Wood Land School: Critical Anthology Symposium, Or Gallery, Vancouver
  ‘Don Dialogues: Duane Linklater and Raymond Boisjoly in conversation’, Evergreen Brick Works, Toronto, Canada
• 2014 Paul Brach Visiting Artist and Lecture, CalArts, Valencia, USA
  ‘Wood Land School: In the Land of the Head-Hunters’, Djavad Mowafaghian World Art Centre, Simon Fraser University, Vancouver, Canada
• 2013 ‘Wood Land School: On 12 Years a Slave’, Art Metropole, Toronto, Canada
  ‘Wood Land School: The Exiles’, Toronto Island, Toronto, Canada
  Artist talk, University of Illinois at Chicago, Chicago, USA
  Art + Design Now Lecture Series, Alberta College of Art and Design, Calgary, Canada
• 2009 Visiting Artist, University of Delaware, Newark, USA
  Artist talk, TRUCK Gallery, Calgary, Canada

Awards

• 2016 Victor Martyn Lynch-Staunton Award, Media Arts, Canada Council for the Arts
• 2013 Sobey Art Award, Sobey Art Foundation
• 2011 John Hartman Award, MacLaren Art Centre, Barrie, Canada