Brian Jungen - CV - Catriona Jeffries

Brian Jungen
b. 1970, Dane-Zaa, Treaty 8 Territory
Lives and works in British Columbia, Canada

Education

1992 Emily Carr College of Art and Design, Vancouver

Selected Solo Exhibitions

2021 Hammer Contemporary Collection: Brian Jungen, Hammer Museum, Los Angeles, USA
Drawings, Casey Kaplan, New York, USA
2019 Friendship Centre, Art Gallery of Ontario, Toronto, Canada
2017 Brian Jungen: Untitled drawings, Henry Art Gallery, Seattle, USA
2016 Casey Kaplan, New York, USA
Catriona Jeffries, Vancouver
2014 Modest Livelihood, in collaboration with Duane Linklater, VOX – Centre de l’image contemporaine, Montreal, Canada
2013 Bonner Kunstverein, Bonn, Germany; Kunstverein Hannover, Hannover, Germany
Modest Livelihood, in collaboration with Duane Linklater, Art Gallery of Ontario, Toronto, Canada
Modest Livelihood, in collaboration with Duane Linklater, Catriona Jeffries, Vancouver
2012 Modest Livelihood, in collaboration with Duane Linklater, Reva and David Logan Center for the Arts, University of Chicago, Chicago, USA
Modest Livelihood, in collaboration with Duane Linklater, Walter Phillips Gallery, Banff, Canada, presented in collaboration with dOCUMENTA (13), Kassel, Germany
2011 Casey Kaplan, New York, USA
Tomorrow, Repeated, Art Gallery of Ontario, Toronto, Canada
Art Gallery of Alberta, Edmonton, Canada
2010 Catriona Jeffries, Vancouver
2009 Strange Comfort, National Museum of the American Indian, Smithsonian Institute, Washington, DC, USA
Frac des Pays de la Loire, Nantes, France
2008 Casey Kaplan, New York, USA
2007 Catriona Jeffries, Vancouver
Museum Villa Stuck, Munich, Germany
2006 Witte de With Center for Contemporary Art, Rotterdam, the Netherlands; Musée d’art contemporain de Montréal, Montreal, Canada; Vancouver Art Gallery, Vancouver
Tate Modern, London, UK
Thunderbirds, Casey Kaplan, New York, USA
2005 New Museum, New York, USA
2004 Habitat 04 - Cité radieuse des chats/Cats Radiant City, Darling Foundry, Montreal, Canada
Capp Street Project: Brian Jungen, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
Triple Candie, New York, USA
2003 Secession, Vienna, Austria
Cetology, Henry Art Gallery, Seattle, USA
2002 Catriona Jeffries, Vancouver
2001 Contemporary Art Gallery, Vancouver
Happy Medium, Art Gallery of Calgary, Calgary, Canada
2000 Shapeshifter, Or Gallery, Vancouver
Bush Capsule and Toronto Fieldwork, YYZ Artist’s Outlet, Toronto, Canada
Dunlop Art Gallery, Regina, Canada
Art Gallery of Windsor, Windsor, Canada
1999 Charles H. Scott Gallery, Vancouver
1997 Half Nelson, Truck Gallery, Calgary, Canada

Selected Group Exhibitions

2024 Narrative Obsession in the Post-Colonial Psyche, The 8th Floor, New York, USA
2023 Riopelle: Crossroads In Time, National Gallery of Canada, Ottawa, Canada
SHIFT: Ecologies of Fashion, Form and Textile, Griffin Art Projects, North Vancouver, Canada
Resistance Training: Arts, Sports, and Civil Rights, MSU Broad Art Museum, Michigan State University, East Lansing, USA
Generations: The Sobey Family and the Story of Canadian Art, Art Gallery of Alberta, Edmonton, Canada
2022 Sports Illustrated, Arsenal, New York, USA
Movement: Expressive Bodies in Art, National Gallery of Canada, Ottawa, Canada
A Divided Landscape, The Momentary, Bentonville, USA
What Water Knows, The Land Remembers, Toronto Biennial of Art, Toronto, Canada
Illusions are real, Manif d’Art Quebec City Biennial, Quebec City, Canada
2021 Land’s End, FOR-SITE Foundation at Cliff House, San Francisco, USA
Proof of Stake, Kunstverein in Hamburg, Hamburg, Germany
Larger Than Memory: A Digital Experience, Heard Museum (online), Phoenix, USA
Where the threads are worn, Casey Kaplan, New York, USA
Springweather and people, Bortolami Gallery, New York, USA
Art of Sport, Copenhagen Contemporary, Copenhagen, Denmark
An Apology, a Pill, a Ritual, a Resistance, Remai Modern, Saskatoon, Canada
2020 Human Capital, Mackenzie Art Gallery, Regina, Canada
Garden Studies, Agnes Etherington Art Centre, Kingston, Canada
To the Hoop: Basketball and Contemporary Art, Weatherspoon Art Museum, Greensboro, USA
Larger Than Memory: Contemporary Art from Indigenous North America, Heard Museum, Phoenix, USA
lineages and land bases, Vancouver Art Gallery, Vancouver
Art for a New Understanding: Native Perspectives, 1950s to Now, Memphis Brooks Museum of Art, Memphis, USA
Next Year’s Country, Remai Modern, Saskatoon, Canada
2019 Tell me about yesterday tomorrow, Munich Documentation Centre for the History of National Socialism, Munich, Germany
Art for a New Understanding: Native Voices, 1950s to Now, Nasher Museum at Duke University, Durham, USA
Creatures: When Species Meet, Contemporary Arts Center, Cincinnati, USA
Haunt, in collaboration with Duane Linklater, Institute of Modern Art, Brisbane, Australia
Plastic Entanglements, Smith College Museum of Art, Northampton, USA
Unexplained Parade, Catriona Jeffries, Vancouver
Art for a New Understanding: Native Perspectives, 1950s to Now, Institute of American Indian Arts, Santa Fe, USA
2018 The Metamorphosis, Vancouver Art Gallery, Vancouver
Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of American Art, Bentonville, USA
Becoming American, Cefalonia, Seattle, USA
Beautiful world, where are you?, Liverpool Biennial, Liverpool, UK
Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Pennsylvania State University, University Park, USA; Jordan Schnitzer Museum of Art, Eugene, USA
Unsettled, Anchorage Museum, Anchorage, USA; Palm Springs Art Museum, Palm Springs, USA
N. Vancouver, The Polygon Gallery, North Vancouver, Canada
PlayTime, Peabody Essex Museum, Salem, MA, USA
The Sunshine Eaters, Onsite Gallery, OCAD University, Toronto, Canada
2017 Connective Tissue: New Approaches to Fiber in Contemporary Native Art, Institute of American Indian Arts, Santa Fe, USA
Ephemera, Nerman Museum of Contemporary Art, Overland Park, USA
Once upon a time… The Western, Musée de beaux-arts de Montréal, Montreal, Canada
Unsettled, Nevada Museum of Art, Reno, USA
Canadian and Indigenous Art: 1968 to Present, National Gallery of Canada, Ottawa, Canada
Wood Land School: Kahatènhston tsi na’tetiátere ne Iotohrkó:wa tánon Iotohrha, Drawing Lines from January to December, Wood Land School, SBC Gallery of Contemporary Art, Montreal, Canada
2016 Le grand balcon, La Biennale de Montréal, Montreal, Canada
On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver, De Paul Art Museum, Chicago, USA
Obsidian Gaze, Sámi Center for Northern Peoples, Manndalen, Norway
Readymades, Gordon Smith Gallery of Canadian Art, North Vancouver, Canada
MashUp: The Birth of Modern Culture, Vancouver Art Gallery, Vancouver
2015 Beyond the Pines: Homer Watson and Contemporary Canadian Landscape, Art Gallery of Mississauga, Mississauga, Canada
CUSTOM MADE / Tsitslem te stem te ck’ultens-kuc, Kamloops Art Gallery, Kamloops, Canada
Residue: The Persistence of the Real, Vancouver Art Gallery, Vancouver
The Geometry of Knowing: Part 2, Audain Gallery, Simon Fraser University, Vancouver
2014 Beat Nation: Art, Hip Hop and Aboriginal Culture, MacKenzie Art Gallery, Regina; Dalhousie Art Gallery, Dalhousie University, and St. Mary’s University Art Gallery, Halifax, Canada
Modest Livelihood, in collaboration with Duane Linklater, Edinburgh Art Festival, Edinburgh, Scotland
Never Look Back When Leaving, Casey Kaplan, New York, USA
New Lines: Contemporary Drawings from the National Gallery of Canada, Art Gallery of Alberta, Edmonton, Canada
Contemporary Drawings from the National Gallery of Canada, Mendel Art Gallery, Saskatoon, Canada
2013 Beat Nation: Art, Hip Hop and Aboriginal Culture, Kamloops Art Gallery, Kamloops; Musée d’art contemporain de Montréal, Montreal, Canada
Science Fiction 21: The Last Frontier, Or Gallery, Vancouver
Sakahàn: International Indigenous Art, National Gallery of Canada, Ottawa, Canada
2012 Beat Nation: Art, Hip Hop and Aboriginal Culture, Vancouver Art Gallery, Vancouver; The Power Plant Contemporary Art Gallery, Toronto, Canada
Builders, Canadian Biennial 2012, National Gallery of Canada, Ottawa, Canada
Reactivation, 9th Shanghai Biennale, Shanghai, China
Beneath a Petroliferous Moon, Mendel Art Gallery, Saskatoon, Canada
No. 17, Casey Kaplan, New York, USA
dOCUMENTA (13), Kassel, Germany
Zoo, Musée d’art contemporain de Montréal, Montreal, Canada
Manufacture, Centre PasquArt Biel, Biel, Switzerland
Untrue North, Yukon Arts Centre, Whitehorse, Canada
2011 Mixed Signals: Artists Consider Masculinity in Sports, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA
2010 Reflection: 15 Years, Casey Kaplan, New York, USA
Contemporary Drawings from the National Gallery of Canada, National Gallery of Canada, Ottawa, Canada
Size DOES Matter, The FLAG Art Foundation, New York, USA
First Nations/Second Nature, Audain Gallery, Simon Fraser University, Vancouver
Hard Targets, Wexner Center for the Arts, Columbus, USA
Pattern ID, Akron Art Museum, Akron, USA
Visions of British Columbia: A Landscape Manual, Vancouver Art Gallery, Vancouver
2009 Mixed Signals: Artists Consider Masculinity in Sports, The Center for Art, Design and Visual Culture, University of Maryland, College Park; Cranbrook Art Museum, Bloomfield Hills, MI, USA
Moby Dick, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
Loaded, Catriona Jeffries, Vancouver
NeoHooDoo: Art for a Forgotten Faith, Miami Art Museum, Miami, USA
2008 NeoHooDoo: Art for a Forgotten Faith, P.S.1 Contemporary Art Center, Long Island City; The Menil Collection, Houston, USA
Hard Targets–Masculinity and Sport, Los Angeles County Museum of Art, Los Angeles, USA
Burning Cold, Oakville Galleries, Oakville; Nanaimo Art Gallery, Nanaimo, Canada
Pleinairism, i8, Reykjavik, Iceland
Revolutions - Forms that Turn, 16th Biennale of Sydney, Sydney, Australia
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, UK
2007 This Winter, Casey Kaplan, New York, USA
Shapeshifters, Time Travellers and Storytellers, Royal Ontario Museum, Toronto, Canada
9e Biennale de Lyon, Lyon, France
Crack the Sky, La Biennale de Montréal, Montreal, Canada
Burning Cold, Canada Winter Games National Exhibition, Yukon Arts Centre Public Art Gallery, Whitehorse, Canada
Hot Rock, Transmission Gallery, Glasgow, Scotland
2006 Human Game: Winners and Losers, Stazione Leopolda, Florence, Italy
274 East 1st, Catriona Jeffries, Vancouver
Holy Land: Diaspora and the Desert, Heard Museum, Phoenix, USA
2005 Intertidal: Vancouver Art and Artists, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
The Party, Casey Kaplan, New York, USA
Material Time/Work Time/Life Time, Reykjavík Arts Festival, Gerðarsafn - Kópavogur Art Museum, Kópavogur, Iceland
Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, USA
Re: Building the World, Edmonton Art Gallery, Edmonton, Canada
2004 Artists’ Favourites, Institute of Contemporary Arts, London, UK
Baja to Vancouver: The West Coast in Contemporary Art, Museum of Contemporary Art San Diego, San Diego; Vancouver Art Gallery, Vancouver; CCA Wattis Institute For Contemporary Arts, San Francisco; Seattle Art Museum, Seattle, USA
A Grain of Dust A Drop of Water, 5th Gwangju Biennial, Gwangju, South Korea
A Question of Place, Walter Phillips Gallery, Banff Centre, Banff, Canada
Noah’s Ark, National Gallery of Canada, Ottawa, Canada
2003 Beachcombers, Mead Art Gallery, University of Warwick, Coventry, UK
Bounce, Bellevue Art Museum, Bellevue, USA; Power Plant, Toronto, Canada
Exhibitions of an Exhibition, Casey Kaplan, New York, USA
Hammertown, Bluecoat Gallery, Liverpool, UK
The Moderns, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
MosaiCanada: Sign and Sound, Seoul Museum of Art, Seoul, South Korea
Nation, Frankfurter Kunstverein, Frankfurt, Germany
Newmodulr, Art Gallery of Calgary, Calgary; Blackwood Gallery, Mississauga, Canada
2002 Beachcombers, Gasworks, London; Middlesbrough Art Gallery, Middlesbrough, UK
Hammertown, The Fruitmarket Gallery, Edinburgh, Scotland
Think Big / Voir Grand, Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montreal, Canada
This Place, Vancouver Art Gallery, Vancouver
watery, domestic, Renaissance Society, Chicago, USA
2001 ARS 01, Kiasma Museum of Contemporary Art, Helsinki, Finland
Better Place, MacKenzie Art Gallery, Regina, Canada
Long Time, Vancouver Art Gallery, Vancouver
Museopathy, Agnes Etherington Gallery, Kingston, Canada
Present Compose, Ottawa Art Gallery, Ottawa, Canada
2000 Message by Eviction: New Art from Vancouver, Illingworth Kerr Gallery, Calgary, Canada
Curatorial Mutiny Part 2: På Samma Våglängd, Konstakuten Gallery, Stockholm, Sweden
1998 Here and Now: First Nations Alumni, Emily Carr Institute of Art and Design, Vancouver
1997 Buddy Palace, Or Gallery, Vancouver
Browser, Artropolis ’97, Roundhouse Community Centre, Vancouver

Monographs

2022 Julian Cox, ed., Brian Jungen: Couch Monster: Sadzěʔ yaaghęhch’ill, Art Gallery of Ontario, Toronto, Canada; DelMonico Books, New York, USA
2019 Kitty Scott, ed., Brian Jungen: Friendship Centre, Art Gallery of Ontario, Toronto, Canada; DelMonico Books, Munich, Germany
2011 Catherine Crowston, ed., Carapace, Art Gallery of Alberta, Edmonton, Canada
2006 Solange de Boer, Zoë Gray, and Nicolaus Schafhausen, Brian Jungen, Witte de With Center for Contemporary Art, Rotterdam, the Netherlands
2005 Daina Augaitis, et al., Brian Jungen, Vancouver Art Gallery, Vancouver
2004 Matthew Higgs and Brian Jungen, Brian Jungen, Secession, Vienna, Austria, and Art Metropole, Toronto, Canada
2002 Scott Watson and Lindsay Brown, Brian Jungen, Contemporary Art Gallery, Vancouver
1999 Reid Shier, Brian Jungen, Charles H. Scott Gallery, Vancouver

Books and Exhibition Catalogues

2023 Jeffrey Gibson (ed.), An Indigenous Present, DelMonico Books, Big NDN Press, New York, USA
Patricia Bovey, Western Voices in Canadian Art, University of Manitoba Press, Winnipeg, Canada
2022 Candice Hopkins, Katie Lawson, and Tairone Bastien (eds.), Water, Kinship, Belief, Toronto Biennial of Art, Toronto, Canada; Art Metropole, Toronto, Canada
Julio Mario Ottino with Bruce Mau, The Nexus: Augmented Thinking for a Complex World--The New Convergence of Art, Technology, and Science, MIT Press, Cambridge, USA
Sarah Milroy (ed.), Generations: The Sobey Family & Canadian Art Catalogue, Goose Lane Editions, Fredericton, Canada
Les Illusions sont réelles: Manif d'art 10, Musée national des beaux-arts du Québec, Canada
2021 Andreas Beitin, Alexander Klose, and Benjamin Steininger (eds.), Oil: Beauty and Horror in the Petrol Age, Walther Koenig, Cologne, Germany
2020 Emily Merson, Creative Presence: Settler Colonialism, Indigenous Self-Determination, and Decolonial Contemporary Artwork, Rowman and Littlefield, New York, USA
To the Hoop: Basketball and Contemporary Art, edited by Emily Stamey, Weatherspoon Art Museum, Greensboro, USA
Larger Than Memory: Contemporary Art from Indigenous North America, edited by Tobi Lopez Taylor and Deborah Paddison, Heard Museum, Phoenix, USA
2019 Heather Jessup, This Is Not a Hoax: Unsettling Truth in Canadian Culture, Wilfrid Laurier University Press, Waterloo, Canada
2018 Kitty Scott, Sally Tallant, and Sinéad McCarthy (eds.), Beautiful World, Where Are You?, Art Books Publishing, London, UK
Brian Jungen and Melanie O’Brian (eds.), $5 Handshake: Art on Treaty 8 Territory, Simon Fraser University Galleries, Burnaby, Canada
2017 JoAnne Northrup (ed.), Unsettled, Nevada Museum of Art, Reno, USA; Hirmer Verlag GmbH, Munich, Germany
Victoria Dickenson, Naomi Fontaine, Lee Maracle (eds.), The Good Lands, Figure 1 Publishing, Vancouver
2016 Bill Jeffries, et al., Readymades, Gordon Smith Gallery of Canadian Art, North Vancouver, Canada
2015 Grant Arnold, Residue: The Persistence of the Real, Vancouver Art Gallery, Vancouver, and Black Dog Publishing, London, UK
Kendra Ainsworth, Faith Hieblinger, and Shannon Anderson, Beyond the Pines: Homer Watson and the Contemporary Canadian Landscape, Art Gallery of Mississauga, Mississauga, Canada
2014 Jen Budney, et al., Beneath a Petroliferous Moon, Mendel Art Gallery, Saskatoon, Canada
Greg A. Hill, Candice Hopkins, and Christine Lalonde, eds., Sakahàn, National Gallery of Canada, Ottawa, Canada
Gregory Minissale, The Psychology of Contemporary Art, Cambridge University Press, Cambridge, UK
2012 Monika Szewczyk, Modest Livelihood, Reva and David Logan Center for the Arts, University of Chicago, Chicago, USA
Carolyn Christov-Bakargiev, et al., dOCUMENTA (13): The Guidebook, Hatje Cantz, Berlin, Germany
Robin Anthony and Cassandra Cook, eds., The RBC Art Collection: Selected Works, Royal Bank of Canada, Toronto, Canada
Charlotte Townsend-Gault, ‘Skin Deep’, Anthology of Exhibition Essays 2010/2011, CJ Press, Vancouver
Johanne Lamoureux, ‘Unaligned Identities’, Quebec and Canadian Art: The Montreal Museum of Fine Arts Collection, Montreal Museum of Fine Arts, Montreal, Canada
Karen Kramer Russell, et al., Shapeshifting: Transformations in Native American Art, Peabody Essex Museum, Salem, MA, and Yale University Press, New Haven, USA
Marie Fraser, Zoo, Musée d’art contemporain de Montréal, Montreal, Canada
Kathleen Ritter and Tania Willard, Beat Nation: Art, Hip Hop and Aboriginal Culture, Vancouver Art Gallery, Vancouver
Daina Augaitis, ‘Brian Jungen’, 9th Shanghai Biennale: Reactivation, The Power Station of Art, Shanghai, China
2010 Paul Chaat Smith and Candice Hopkins, Brian Jungen: Strange Comfort, Smithsonian National Museum of the American Indian, Washington, DC, USA
2009 Lindsay Brown, ‘Brian Jungen’, Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon, London, UK
2008 Candice Hopkins, ‘Brian Jungen: New Monuments’, Anthology of Exhibition Essays 2006/2007, CJ Press, Vancouver
Carolyn Christov-Bakargiev, et al., 16th Biennale of Sydney: Revolution - Forms that Turn, Thames & Hudson, Victoria, Australia
Candice Hopkins, ‘Ruptures on the Architectural Grid: Brian Jungen’s Treaty Project, Métis Road Allowance Houses and Other Models of Inhabiting the “Inbetween”’, in Informal Architectures, ed. Anthony Kiendl, Black Dog Publishing, London, UK
Francesco Manacorda, et al., Encyclopedia of Terrestrial Life, Volume VIII, Martian Museum of Terrestrial Art, Barbican Art Gallery and Merrell Publishers Ltd., London, UK
Évelyne Toussaint, ‘De L’Usage Politique de L’Art Minimal: Félix González-Torres et Brian Jungen’, in La Fonction Critique de L’Art, La Lettre Volée, Brussels, Belgium
Jean-Philippe Uzel, ‘Trickster Objects in Contemporary Art’, in The Undecidable: Gaps and Displacements of Contemporary Art, ed. Thérèse St-Gelais, Editions Esse, Montreal, Canada
Franklin Sirmans, ed., NeoHooDoo: Art for a Forgotten Faith, The Menil Collection, Houston, and Yale University Press, New Haven, USA, and London, UK
Steven Skov Holt and Mara Holt Skov, Manufractured: The Conspicuous Transformation of Everyday Objects, Chronicle Books, San Francisco, USA
2007 Clint Burnham, ‘Late Empire’, in Vancouver Art & Economies, Artspeak Gallery and Arsenal Pulp Press, Vancouver
Jens Hoffmann, ‘Brian Jungen’, Ice Cream: 10 Curators, 100 Contemporary Artists, 10 Source Artists, Phaidon, London, UK
Cate Rimmer, The Banal, SBC Gallery of Contemporary Art, Montreal, Canada
Pamela Perry-Globa, Peter Weeks, David Yoshida and Victor Zelinski, ‘A New Mix: Hybridization’, in Perspectives on Globalization, Oxford University Press, Don Mills, Canada
Stéphanie Moisdon and Hans Ulrich Obrist, eds., 00s—The History of a Decade That Has Not Yet Been Named, JRP Ringier, Zurich, Switzerland
2006 Germaine Koh, Prototype: Contemporary Art from Joe Friday’s Collection, Carleton University Art Gallery, Ottawa, Canada
Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi, Human Game: Winners and Losers, Fondazione Pitti Discovery, Florence, and Edizioni Charta, Milan, Italy
Zoë Gray, ‘Shapeshifter, Cetology and Vienna’, in Land Art: A Cultural Ecology Handbook, ed. Max Andrews, Royal Society for the Encouragement of Arts, Manufactures & Commerce, London, UK
2005 Dieter Roelstraete and Scott Watson, eds., Intertidal: Vancouver Art and Artists, Museum van Hedendaagse Kunst Antwerpen (MuHKA), Antwerp, Belgium, and Morris and Helen Belkin Art Gallery, Vancouver
Joan Livingstone and John Ploof, The Object of Labor: Art, Cloth, and Cultural Production, School of the Art Institute of Chicago Press and MIT Press, Chicago, USA
Trevor Smith, ‘Brian Jungen’, exhibition essay, New Museum, New York, USA
2004 Milena Kalinovska, Gwangju Biennale 2004: A Grain of Dust, A Drop of Water, Gwangju Biennale Foundation, Gwangju, South Korea
Pierre Théberge, et al., Noah’s Ark, National Gallery of Canada, Ottawa, Canada
Ralph Rugoff, et al., Baja to Vancouver - The West Coast and Contemporary Art, CCA Wattis Institute, San Francisco; MCA San Diego, San Diego; Seattle Art Museum, Seattle, USA; Vancouver Art Gallery, Vancouver
Charlotte Townsend-Gault, ‘Struggles With Aboriginality/Modernity’, in Bill Reid and Beyond: Expanding on Modern Native Art, eds. Karen Duffek and Charlotte Townsend-Gault, Museum of Anthropology, University of British Columbia, Vancouver
Ralph Rugoff, ‘Capp Street Project: Brian Jungen’, exhibition essay, CCA Wattis Institute, San Francisco, USA
Kitty Scott, ‘Dear Brian’, Habitat 04: Cité radieuse des chats / Cats Radiant City, Darling Foundry, Montreal, Canada
2003 Carolyn Christov-Bakargiev, et al., I Moderni / The Moderns, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy
Wayne Baerwaldt, mosaiCanada: Sign & Sound, Seoul Museum of Art, Seoul, South Korea
2002 Jim Drobnick and Jennifer Fisher, Museopathy, Agnes Etherington Art Centre, Kingston, Canada
Philip Monk, Bounce, The Power Plant, Toronto, Canada
Katharine Stout and Andrew Renton, The Beachcombers, The Drawing Room, London, UK
Michael Turner and Reid Shier, Hammertown, The Fruitmarket Gallery, Edinburgh, Scotland
2001 Maaretta Jaukkuri, Irit Rogoff and Nikos Papastergiadis, ARS 01, Museum of Contemporary Art Kiasma, Helsinki, Finland
Timothy Long, Scott Pittendrigh, and John Marriott, A Better Place, MacKenzie Art Gallery, Regina, Canada
2000 Douglas Coupland, City of Glass, Douglas & MacIntyre, Vancouver

Magazines and Periodicals

2024 Maximilíano Durón, ‘New Orleans’s Prospect.6 Triennial Names 49 Artists for 2024 Edition Opening in November’, Art News, 25 January
Benjamin Sutton, ‘Sixth edition of Prospect New Orleans will feature 49 artists’ works throughout the city’, The Art Newspaper, 25 January
2023 Paul Gessel, ‘Jean Paul Riopelle: Crossroads in Time’, Galleries West, 6 November
Kate Taylor, ‘The National Gallery’s Riopelle retrospective is as much an homage to the artist as an argument for his relevance’, The Globe and Mail, 3 November
Lynn Saxberg, ‘Fifty years of art: Major Riopelle exhibition opens at National Gallery of Canada’, Ottawa Citizen, 1 November
2022 ‘The Best Public Art of 2022’, Artsy, 13 December
Portia Priegert, ‘Art Books 2022’, Galleries West, 13 December
Paul Gessell, ‘Let’s Dance’, Galleries West, 8 September
Rebecca Tucker, ‘Globe Climate: How last year’s wildfires hit home for one B.C. artist’, The Globe and Mail, 4 July
Nisean Lorde, ‘Art Gallery of Ontario unveils its first public art commission inspired by Jumbo the elephant’, Streets of Toronto, 23 June
Elaine Velie, ‘Brian Jungen’s Giant “Couch Monster” Comes to Toronto’, Hyperallergic, 23 June
Leah Collins, ‘A big bronze 'Couch Monster' has arrived in Toronto’, CBC Arts, 22 June
Larry Humber, ‘Art Gallery of Ontario unveils its first public art commission, an elephantine bronze by Brian Jungen’, The Art Newspaper, 21 June
The Canadian Press, ‘Art Gallery of Ontario installs “Couch Monster” by Fort St. John artist, Energetic City, 20 June
Bruce Demara, ‘AGO's first public art commission is a nearly life size replica of famous circus elephant Jumbo’, Toronto Star, 20 June
Kate Taylor, Biennial’s artists long for a home, and not just in Toronto’, The Globe and Mail, 1 April, 2022
Sam Gaskin, ‘Toronto Biennial to Feature Brian Jungen, Jeffrey Gibson, and Judy Chicago’, Ocula Magazine, 22 March
Mira Miller, ‘Everything You Need To Know About the Toronto Biennial of Art’, Sharp Magazine, March 11, 2022

2021 Maximilíano Durón, ‘Toronto Biennial Names Artists for 2022 Edition’, Artnet News, 17 November
Marley Marius, ‘Set Against the Crashing Waves of the Pacific, a New Art Exhibition Takes on the Climate Crises’, Vogue, 5 November
Caroline Goldstein, 'I Got an Illicit Thrill': Watch Artist Brian Jungen Cut Up Nike Sneakers to Expose How Consumer Culture Exploits Native Americans’, Artnet News, 23 September
Carolina A. Miranda, Newsletter: The Virginia Museum of Fine Art’s ‘Dirty South’ revels in Black Southern culture, Los Angeles Times, 7 August
David Egan, ‘Art exhibit review: ‘The Evening Redness in the West’ evokes often overlooked Indigenous history’, Daily Bruin, 17 August
Trine Ross, ‘Dårlig kamp, fed kunst’, Kultur, 18 May
Af Malte Teller, ‘Det er jo bare sport, siger man, men’, Kultur, 20 April
Tara Ng, ‘Masks from the Past’, Art Canada Institute, 11 March

2020 Kitty Scott, ‘Brian Jungen’s Wieland (2006)’, Journal of Canadian Art History, vol. 44, no. 1/2
Cason Sharpe, ‘The Last Dance’, Canadian Art, 28 May
2019 Connor Garel, ‘15 Canadian Icons Who Stole Our Hearts in 2019’, HuffPost, 31 December
Earl Miller, ‘Brian Jungen’, Border Crossings, Issue 152, December
Donnovan Bennett, ‘The intersection of sports and art from an Indigenous perspective’, Sportsnet, 10 October
Dan Adler, ‘Brian Jungen’, Artforum, October
May Warren, ‘Toronto’s Dundas and McCaul corner to get a Brian Jungen sculpture’, The Toronto Star, 22 August
Charles Reeve, ‘Brian Jungen Scores a Slam Dunk’, Frieze, 19 July
‘A tipi made from sofas’, Art Matters Blog, Art Gallery of Ontario, 8 July
Carla Lucchetta, ‘How this Indigenous artist turns basketball shoes into commercialist critique’, TVO, 5 July
Kate Taylor, ‘Jungen’s Friendship Centre holds court in the AGO’, The Globe and Mail, 29 June
Janet Smith, ‘BC artist Brian Jungen causes big buzz with summer solo show at Art Gallery of Ontario’, The Georgia Straight, 27 June
Kate Taylor, ‘Brian Jungen’s audacious Indigenous art feels timely and necessary for a Canada attempting reconciliation’, The Globe and Mail, 24 June
Christine Sismondo, ‘Here’s what whales, basketball and Nike Air Jordans have to do with the art of Brian Jungen’, Toronto Star, 21 June
‘How this BC artist uses sliced up Air Jordans to connect with his Indigenous roots’, CBC Radio, 19 June
Cassandra Szklarski, ‘BC artist Brian Jungen plays with First Nations traditions, sports imagery’, City News 1130, 17 June
‘Sports and Indigenous traditions collide in Brian Jungen’s AGO exhibit’, Yahoo News, 17 June
‘Summer Preview: The Most Promising Museum Shows and Biennials Around the World’, ARTnews, 5 June
Marsha Lederman, ‘The Enthusiast: A brush with Canadian artistic greatness’, The Globe and Mail, 16 March
‘What to See in 2019’, Canadian Art, 2 January
2018 Shawn Conner, ‘Exploring change and transformation in The Metamorphosis at Vancouver Art Gallery’, The Sudbury Star, 26 December
Hrag Vartanian, ‘Best of 2018: Our Top 20 Exhibitions Across the United States’, Hyperallergic, 20 December
‘“I call it the tar sands of culture”: Brian Jungen on the irony of making art about consumption’, CBC Arts, 5 December
Ann Binlot, ‘The long, layered narrative of the Pacific Rim’, Document Journal, 9 November
Sheila Regan, ‘Crystal Bridges Curator Mindy Besaw Shares 7 Unmissable Works From the Museum’s Landmark New Show of Native Art’, Artnet News, 6 November
Craig Takeuchi, ‘B.C. artist Brian Jungen, filmmaker Jennifer Baichwal to discuss Anthropocene at Art Gallery of Ontario event’, The Georgia Straight, 23 October
Waldemar Januszczak, ‘Art review: Liverpool Biennial; John Moores Painting Prize, Liverpool’, The Times, 22 July
Yaniya Lee, ‘Beautiful World, Where Are You?’, Canadian Art, 18 July
Adrian Searle, ‘Liverpool Biennial review—a beautiful, violent, explosive world’, The Guardian, 16 July
Alastair Sooke, ‘Liverpool Biennial, review: a beautiful world in an age of turmoil’, The Telegraph, 16 July
Rachel Cooke, ‘Liverpool Biennial 2018 review—the hunt for Merseyside treasures’, The Guardian, 15 July
Joseph Kenneth Malone, ‘Liverpool biennial: Beautiful Merseyside, where worlds collide’, The Times, 13 July
Austin Cozicar, ‘“$5 Handshake: Art on Treaty 8 Territory” now available’, Dawson Creek Mirror, 11 June
Dale Berning Sawa, ‘Liverpool Biennial 2018 lineup takes global view in the age of Brexit’, The Guardian, 16 March
Chris Hampton, ‘Hope in the land under our feet’, The Globe and Mail, 15 January
2017 Lucien Durey, ‘Maps and Dreams’, Canadian Art, Fall
Kathleen Roberts, ‘Threads of innovation: Exhibit explores new approaches to fiber in Native Art’, Albuquerque Journal, 1 July
Jens Hoffmann, ‘The Biennale de Montréal’, Artforum, Reviews, February
2016 Richard William Hill, ‘Close Readings: Brian Jungen’, C Magazine, Issue 130, Summer
2015 Jan Verwoert, ‘Spellbound’, Frieze, Issue 173, September
2013 Alice Ming Wai Jim, ‘How to Occupy Retreat: dOCUMENTA (13) from Kassel to Banff’, Journal of Curatorial Studies, Volume 2, Number 2
Murray Whyte, ‘Two artists go moose hunting: Modest Livelihood at the AGO’, Toronto Star, 26 October
Richard Rhodes, ‘Three decades in the art world’, Canadian Art, Fall
Lucas Freeman, ‘Brian Jungen and Duane Linklater’, Fuse Magazine online, 20 June
Michael Turner, ‘Brian Jungen Shows Continuity & Contrast in German Survey’, Canadian Art online, 15 May
2012 Zachary Cahill, ‘Critics Picks: Brian Jungen and Duane Linklater’, Artforum online, 4 September
Nancy Tousley, ‘Brian Jungen & Duane Linklater: Hunting Retreat’, Canadian Art online, 16 August
Sarah Milroy, ‘Unspooling the landscape with Brian Jungen and Duane Linklater’, The Globe and Mail, 3 August
Lee Rosenbaum, ‘Artifacts to Artworks’, Wall Street Journal, 18 January
2011 David St.-Lascaux, ‘Brian Jungen’, The Brooklyn Rail, November
Karen Rosenberg, ‘Brian Jungen’, The New York Times, 29 September
Nancy Tousley, ‘Aboriginal Art Report: The Group of Who?’, Canadian Art, 26 May
Murray Whyte, ‘Brian Jungen at the AGO: A Canadian art superstar goes personal’, Toronto Star, 7 May
Robert Enright, ‘The Tortoise and the Air: An Interview with Brian Jungen’, Border Crossings, May
Sarah Milroy, ‘Work in Progress’, Canadian Art, Spring
Kevin Griffin, ‘Jungen blurs the lines of definition’, Vancouver Sun, 8 January
Stéphane Aquin, ‘150th Anniversary Gift: An Iconic Work by Brian Jungen’, Montreal Museum of Fine Arts Magazine, January/April
2010 Robert Fulford, ‘Brian Jungen’s unique sculpture has redefined what aboriginal art can be’, National Post, 10 May
2009 Alix McKenna, ‘Brian Jungen: Strange Comfort at the National Museum of the American Indian’, California Literary Review, 3 November
Megan Gambino, ‘One Man’s Trash is Brian Jungen’s Treasure’, Smithsonian Magazine, September
Murray Whyte, ‘Stunning Sports Art Tilts to the Profane’, The Toronto Star, 18 April
2008 Sarah Neel Smith, ‘Hard Targets: Masculinity and Sport’, Frieze online, 10 December
Brian Sholis, ‘Brian Jungen: Casey Kaplan Gallery’, Artforum, Summer
Rosalie Higson, ‘Harbour for Revolutionary Ideals’, The Australian, 17 June
Douglas Britt, ‘NeoHooDoo: Faith and Ritual in Art of the Americas’, Houston Chronicle, June
2007 Alex Lockett, ‘Alex Lockett examines the process of transformation and reconstruction in the work of Brian Jungen and Simon Starling’, Miser & Now, August
Alison Stein Wellner, ‘Battling a ‘Holy’ War’, The Chronicle of Philanthropy, June
Clint Burnham, ‘Making totems of the objects that surround us’, The Globe and Mail, 5 May
Kevin Griffin, ‘Cultural Intersection’, The Vancouver Sun, 5 May
Elke Buhr, ‘Masken für den globalen Stamm’, Art: das Kunstmagazin, May
Martina Scherf, ‘Ein shuh mit magischen Kräften’, Süddeutsche Zeitung, 14 March
Sebastian Frenzel, ‘Der Turnshuh des Manitu’, Vanity Fair, March
2006 Lee Henderson, ‘Brian Jungen’, Contemporary, Issue 81
Réal Lussier, ‘Brian Jungen’, Le Journal, Musée d’art contemporain de Montréal
Marilu Knode, ‘Holy Land: Diaspora and the Desert’, Art Papers, September/October
Margaret Rodgers, ‘Brian Jungen: Contemporary Mythologies’, Espace Sculpture 77, Autumn
Santiago Cano, ‘Brian Jungen Revised Anthropology’, The European Magazine, July
Kimberly Phillips, ‘Fetishism, Curiosity, and the Work of Brian Jungen’, Fillip 3, Summer
Julia Dault, ‘A Room of One’s Own’, The National Post, June 15
Paul Gessell, ‘Haida meets hiphop in the work of Brian Jungen’, The Ottawa Citizen, 12 June
Henry Lehmann, ‘No bones about it: Lawnchair skeleton’, The Gazette, Montreal, 10 June
Christine Redfern, ‘Material world’, Montreal Mirror, 8 June
Clint Burnham, ‘Artworks challenge and intrigue’, The Vancouver Sun, 3 June
Michel Hellman, ‘Les ‘calembours visuels’ de Brian Jungen’, Le Devoir, 3 June
Eliza Williams, ‘Top 50 Summer Highlights’, ArtReview, June
Sarah McFadden, ‘Intertidal: Vancouver Art and Artists’, Art Papers, May/June
Craig Burnett, ‘Brian Jungen: Owls, Inuits and Cultural collision: museums, marketing and clichés’, Frieze, April
Julia Dault, ‘Brian Jungen’, Galleries West, Spring
John K. Grande, ‘Brian Jungen: Prototypes for a New Understanding’, Vie des Arts, Issue 202, Spring
Matthew Kangas, ‘Branding unmasked, with an ancient twist’, The Seattle Times, 19 March
Terence Dick, ‘Brian Jungen Interviewed by Terence Dick’, C Magazine, March
Murray Whyte, ‘A Decade Spent Fusing Icons’, The Toronto Star, 19 February
Sarah Milroy, ‘Shaman of the Sofa’, The Globe and Mail, 14 February
Richard Lacayo, ‘A commercial vision’, Time, 13 February
Robin Laurence, ‘Curators laud Jungen’s range’, The Georgia Straight, 2 February
Alexander Varty, ‘Culture Shock’, The Georgia Straight, 2 February
Daniel Baird, ‘Air Jungen’, The Walrus, February
Cedar Lewisohn, ‘A Perfect Match’, ArtReview, Vol. X, February
Andy Duck, ‘Saving the Tribal Soles’, Time, 30 January
Amy O’Brian, ‘Bought, Sold, and Yet Amused’, The Vancouver Sun, 28 January
Clint Burnham, ‘The instant ‘I get it’ of Brian Jungen’s art’, The Vancouver Sun, 28 January
Adele Weder, ‘Into bits and pieces and back again’, The Globe and Mail, Friday, 27 January
Julia Dault, ‘British Columbia’s Best’, The National Post, 26 January
2005 Blake Gopnik, ‘Mirror in the Mask’, The Guardian Weekly
Jamie Gross, ‘Cultural Constructs’, Surface, Issue 56
Grace Glueck, ‘Art in Review; Brian Jungen’, The New York Times, 23 December
Amy O’Brian, ‘Vancouver artists make waves around the world’, The Vancouver Sun, 17 December
Franz Lidz, ‘A Perfect Fit’, Sports Illustrated, 5 December
Ariella Budick, ‘Shape Shifting’, Newsday, 4 December
Brian Fitchner, ‘One Man Show: Brian Jungen’, Clear, December
Michael Harris, ‘Mix with care’, Canadian Art, Winter
Margo Jefferson, ‘Wanted: A Theater Unafraid of the Power of Images’, The New York Times, 26 October
Blake Gopnik, ‘Brian Jungen’s Masks, Reconsidering ‘Native’ Crafts from the Insole Out’, The Washington Post, 24 October
Chioma Nnadi, ‘Shapeshifter’, The Fader, October–November
Amy Benfer, ‘Nature v Nike’, Metro, 30 September
2004 Gabriele Schor, ‘Hybridity, Eros and Death’, Parkett, Issue 70
David Gleeson, ‘Baja to Vancouver: the West Coast and Contemporary Art’, Contemporary, Issue 54
Deborah Campbell, ‘The New School’, Vancouver Guestlife
Edgar Schmitz, ‘Ein Fernsehtraum Von Lieblingsbissen’, Texte Zur Kunst, 13 December
Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, ‘Everybody Was There; The Wrong Guide to New York in 2004’, Artforum, December
Clint Burnham, ‘Aperto Vancouver’, Flash Art, November – December
Christopher A. Olson, ‘Baja to Vancouver: The West Coast and Contemporary Art’, Border Crossings, Fall
Michael Turner, ‘Not so quiet on the western front’, The Globe and Mail, 14 July
Michael Scott, ‘Separating West Coast dream from reality’, The Vancouver Sun, 5 June
Robin Laurence, ‘B2V Finds West Coast Context’, The Georgia Straight, 3 June
Wes LaFortune, ‘From anger to hope: Aboriginals Examine Identity and Change’, Fast Forward Weekly, 20 May
Bryne McLaughlin, ‘Vibrant local scene connects with the community’, The Globe and Mail, 1 May
Charles LaBelle, ‘Brian Jungen’, Frieze, May
Veronica Redgrave, ‘SPCA Fundraiser showcases ‘city’ for cats’, The Gazette, 4 April
Lyne Crevier, ‘Refuge au Poil’, Ici, 25 March
Michel Hellman, ‘Condos pour minou’, Le Devoir, March 20
Susan Cooke, ‘Cats in the City’, The McGill Tribune, 18 March
Matthew Woodley, ‘I tought I taw a Habitat’, Mirror, 18 March
Holland Cotter, ‘Art In Review: Brian Jungen’, The New York Times, 5 March
‘Galleries Uptown, Brian Jungen’, The New Yorker, 1 March
Stephanie Buhmann, ‘Brian Jungen’, The Brooklyn Rail, March
Bridget Goodbody, ‘Reviews: Brian Jungen’, Time Out New York, 19 February
Murray Whyte, ‘Vancouver artist links sweatshops, sports’, The Vancouver Sun, 14 February
Murray Whyte, ‘Finding Art In Sports and Sweatshops’, The New York Times, 8 February
Sarah Milroy, ‘Artists of the world, unite’, The Globe and Mail, 7 February
Christopher Knight, ‘Coastal Confluence’, Los Angeles Times, 1 February
Sara Krajewski, ‘Baja to Vancouver’, ArtUS, January–February
2003 Vanessa Joan Muller, ‘Wat Heet Normal’, Metropolis M, No. 6
Dan Tranberg, ‘Reconstruction: Brian Jungen at the Secession’, Angle, Vol. 1, No. 10, December
Glen Helfland, ‘Baja to Vancouver’, Artforum, December
Jeff Jahn, ‘Review; Baja to Vancouver: The West Coast and Contemporary Art’, Modern Painters, Winter
Jens Hoffmann, ‘Brian Jungen’, Flash Art, July–September
Nancy Tousley, ‘Cool Cooler Coolest’, Canadian Art, Summer
Michael Turner, ‘Wall and Void’, Modern Painters, Summer
Stefano Casciani, ‘Il Moderno colpisce ancora?’, Domus, June
Franco Fanelli, ‘Dal postmoderno ai neomoderni’, Vernissage: Il fotogiornale dell’arte, May
Rocco Moliterni, ‘Giubbotti e scarpe fatti d’arte: Addio al video, tornano pittura e scultura’, La Stampa, 15 April
Ludovico Pratesi, ‘Non ci crederete: questi quadri suonano’, Il Venerdi, 11 April
Franco Fanelli, ‘Moderni si, modaioli no: chi sono gli artisti della generazione post Twin Towers’, Il Giornale Dell’arte, April
2002 Shawna Richer, ‘A new face among art prizes’, The Globe and Mail, 9 December
‘Welcome to Hammertown’, Standart, Issue 138, November 2002
Jack Mottram, ‘Refreshing hits from the Canadian Club’, Sunday Herald, 20 October
Sarah Milroy, ‘Thoroughly Modern Art’, The Globe and Mail, 25 September
Morgan Falconer, ‘The Beachcombers,’ Contemporary, Issue 43, September
Sophie Hackett, ‘Summer Breeze; Blowing through the jasmine in my mind’, XTRA!, 8 August
Betty Ann Jordan, ‘Art’, Toronto Life, July
Sarah Milroy, ‘A tale of two art worlds’, The Globe and Mail, 20 June
Judy Stoffman, ‘Whale skeleton emerges from lawn chair closet’, The Toronto Star, 17 June
Nancy Tousley, ‘sympathy, empathy, museopathy’, Canadian Art, Spring
Michael Scott, ‘Nike rearrangement adds to Jungen’s art world frenzy’, The Vancouver Sun, 14 February
2001 Perttu Saksa, ‘Jannitetyt Pakarat: Ars 01’, Image
Christine Shaw, ‘A Better Place’, Fuse Magazine, Vol.24, No.3
Silja Lanas Cavada, ‘Nakoala Tilaan Kolmanteen’, Suomen Kuvalehti, No39
David Garneau, ‘A Better Place: Practical Utopias’, Vie des Arts, No182
Minna Luoma, ‘On maailmassa monta ihmeellista asiaa’, Kansan Uutiset, Issue 27
Arja Maunuksela, Lukuuta, 5 December
Nancy Tousley, ‘Jungen’, The Calgary Herald, 1 December
Ossian Ward, ‘Running Things’, Dazed and Confused, December
Pascal Beausse, ‘Ars 01’, Art Press, December
Sarah Milroy, ‘The Best of the Rest’, The Globe and Mail, 3 November
Erkki Pirtola, ‘Kriisiapua Taiteesta’, Kiasma, 1 November
Ossian Ward, ‘ARS Bestiae’, Art Review, November
Jeff Derksen, ‘Global Shoes, Local Things, Relations of Production Masks, and Architect Enemies’, Tripwire, Winter
Nina Bjorkman, ‘Ars 01 en frammande plats’, Hufvudstadsbladet, 26 October
Marikka Bergman, ‘Brian Jungen: Prototype for a New Understanding, #1,2,3,4,7’, Anna, 16 October
Cuauhtémoc Medina, ‘En el lejano norte’, Reforma, 10 October
Jeff Derksen, ‘Von der universellen Verdinglichung zur universellen Kulturalisierung’, Springerin, October – December
MarjaTerttu Kivirinta, ‘Ars 01 puhuu Baabelin kielilla’, Helsingin Sanomat, 30 September
Maila Katriina Tuominen, ‘Ars 01 mahtuu kannykkaan’, Aamuleht, 26 September
Robin Laurence, ‘Constructing a New View of Construction’, The Georgia Straight, 13 September
Jeff Derksen, ‘Cultural Props’, C Magazine, Fall
Joseph R. Wolin, ed., ‘Brian Jungen’, Review: Latin American Literature and Arts, Volume 34, Issue 63
Gary Michael Dault, ‘Cool Artist: Brian Jungen’, Time, Canadian Edition, 6 August
Douglas Coupland, ‘Critical Mass’, The Globe and Mail, 12 May
Susan Oh, ‘Soaring beyond the totem poles’, Maclean’s, 7 May
Peter Culley, ‘Out of the Blue: Three Works on Vancouver’, Border Crossings, May
Adriana Barton, ‘Fly-by Culture’, Vancouver Magazine, March
Tuomas Nevanlinna, ‘Identity, culture and “third space”’, Frame News, February
2000 Alberto Manguel, ‘Nike Unmasked’, Geist, Issue 36
Douglas Coupland, ‘Best of 2000’, Artforum, December
Sarah Milroy, ‘The art of the double take’, The Globe and Mail, 4 November
David Garneau, ‘Beyond the One-Liner: The Masks of Brian Jungen’, Border Crossings, Issue 76, November
Kyo McLear, ‘Rewind: Brian Jungen’, Canadian Art, Winter
Cate Rimmer, ‘Brian Jungen’, Mix, Winter
Michael Turner, ‘Prototypes + Petroglyphs + Pop’, Mix, Winter
Sally McKay, ‘Review: Brian Jungen’, Lola 7, Fall
Jack Anderson, ‘Nikes as masks tool for debate’, Leader-Post, 20 July
William Wood, ‘Access Codes and Avoided Objects’, Parachute 99, July
1999 Blake Gopnik, ‘Crossing the Line Between Past, Future’, The Globe and Mail, 26 October
1998 Jeff Derksen, ‘Fun Critique in Ethnographic Fields’, Fuse, August

Published Writing and Works by the Artist

2017 Brian Jungen, ‘Untitled Letter’, for Wood Land School: Kahatenhstánion tsi na’tetiatere ne Iotohrkó:wa tánon Iotohrha, Drawing Lines from January to December, SBC Gallery of Contemporary Art, Montreal, Canada
2002 Brian Jungen, Facing History: Portraits from Vancouver, Presentation House Gallery and Arsenal Pulp Press, Vancouver
2000 Brian Jungen, ‘Prototype for New Understanding #2 and #3’, in Collapse, Issue 5
1997 Jason McLean, Lisa Prentice, Brian Jungen, and Christine Corlett, Buddy Palace, Or Gallery, Vancouver
Brian Jungen, Brown Finger, artist book, Or Gallery, Vancouver

Public Commissions

2022 Couch Monster: Sadzěʔ yaaghęhch’ill, Art Gallery of Ontario, Toronto, Canada
2010 The ghosts on top of my head, The Banff Centre, Banff, Canada

Residencies

2017 Artist-in-Residence, Fogo Island Arts, Fogo Island, Canada
2004 Capp Street Project, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
2003 Canada Council International Residencies Program in the Visual Arts, London, UK
1998 Self-directed residency, Banff Centre for the Arts, Banff, Canada

Awards

2010 The Gershon Iskowitz Prize, Art Gallery of Ontario, Toronto, Canada
2002 Sobey Art Award, Sobey Art Foundation
2001 VIVA Award, Jack and Doris Shadbolt Foundation for the Visual Arts, Vancouver

Brian Jungen – CV

Education

Selected Solo Exhibitions

Selected Group Exhibitions

Monographs

Books and Exhibition Catalogues

Magazines and Periodicals

Published Writing and Works by the Artist

Public Commissions

Residencies

Awards