Abbas Akhavan
The work of Abbas Akhavan (b. 1977, Tehran, Iran; lives/works: Montreal) ranges from site-specific ephemeral installations to drawing, video, sculpture and performance. The direction of his research has been deeply influenced by the specificity of the sites where he works: the architectures that house them, the economies that surround them, and the people that frequent them. The domestic sphere, which he proposes as a forked space between hospitality and hostility, has been an ongoing area of study in his practice. More recent works have wandered into spaces and species just outside the home: the garden, the backyard, and other domesticated landscapes.
His solo exhibitions include Mount Stuart House, Isle of Bute, Scotland (2022); Contemporary Art Gallery, Vancouver (2022); Chisenhale Gallery, London (2021); the CCA Wattis Institute, San Francisco (2019); The Power Plant, Toronto (2018); Museum Villa Stuck, Munich (2017); Douglas Hyde Gallery, Dublin (2017); Artspeak, Vancouver (2015); and Delfina Foundation, London (2012). Recent group exhibitions include the 14th Gwangju Biennale (2023); Palais de Tokyo, Paris (2022); Momenta Biennale at Phi Foundation, Montreal (2021); Kunsthalle Karlruhe, Germany (2021); Protocinema at Parc Offsite, Montreal (2020); the Toronto Biennial (2019); Liverpool Biennial (2018); SALT Galata, Istanbul (2017); Prospect New Orleans (2017); Sharjah Biennial 13, United Arab Emirates (2017); Solomon R. Guggenheim Museum, New York (2016); Witte de With, Rotterdam (2015); and the 10th Gwangju Biennale (2014).
Akhavan received his MFA from the University of British Columbia, Vancouver (2006), and his BFA from Concordia University, Montreal (2004). Residencies include Fogo Island Arts, Fogo Island, Canada (2019, 2016, 2013); Atelier Calder, Saché, France (2017); and Flora ars+natura, Bogotá, Colombia (2015). He is the recipient of the Fellbach Triennial Award (2017); Sobey Art Award (2015); Abraaj Group Art Prize (2014); and the Berliner Kunstpreis (2012).