Gareth Moore

Gareth Moore lives and works in Montreal. Recent solo exhibitions include Geoffrey Farmer & Gareth Moore. A Dark Switch Yarning, Neptune Skeletons Thronging, Black Bucket Prolonging, World Turtle Longing, Sink Plug Wronging, Salzburger Kunstverein, Salzburg, Austria (2017); Bullae, Catriona Jeffries, Vancouver (2017); A Burning Bag as a Smoke-Grey Lotus, Stroom den Haag, The Hague, and La Loge, Brussels (2015); Household Temple Yard, La Criée - Centre d'art contemporain, Rennes (2014); Blocked Arch, Deferred Ceremony, Dawn Chorus, Tra-diddle da. Like a fly in slow suspense, Glasgow Sculpture Studios (2014); Household Temple Yard, Catriona Jeffries, Vancouver (2013); Allochthonous Window, Vancouver Art Gallery (2013); Rocks on a Clock, Some Photos of Ducks, A Collection of Masks and a Post to Touch, Lüttgenmeijer, Berlin (2009); CCA Wattis Institute of Contemporary Arts, San Francisco (2008); As A Wild Boar Passes Water, Witte de With, Rotterdam (2008). His work A place, near the buried canal (2012) was commissioned as part of dOCUMENTA (13) and he has been included in numerous international group exhibitions, including Live Arts Week VI, Xing, Bologna (2017); Play Time, Les ateliers de Rennes, Biennale d'art contemporain, Rennes (2014); The Intellection of Lady Spider House, Art Gallery of Alberta, Edmonton (2013); Bat Ear, Lüttgenmeijer, Berlin (2014); Journeys, Israel Museum, Jerusalem (2014); Andrea Büttner, Joëlle de La Casinière, Gareth Moore, Catriona Jeffries, Vancouver (2013); Woodman, Woodman, Spare That Tree, Lüttgenmeijer, Berlin (2010); Every Version Belongs to the Myth, Project Arts Centre, Dublin (2009); Sentimental Journey, Contemporary Art Gallery, Vancouver (2009); Nomads, National Gallery of Canada, Ottawa (2009).