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The Porto Atlas, 2010Seven custom globes; acrylic, paper, ink
Each 33 inches (84 cm) diameter
Overall installation: dimensions variable -
If Read This Your Noting, 2010Spray enamel on mirror, plywood
78 x 48 x 1 inches (198 x 122 x 3 cm) -
Crime is the Highest Form of Sensuality, 2010Spray enamel on mirror, plywood
53 x 88 x 1 (135 x 224 x 3 cm) -
Don’t See Me Only As I Am, But See Me How I Long To Be …, 2010Spray enamel on mirror, plywood
48 x 95 x 1 inches (122 x 241 x 3cm) -
Dead Labor Day, 2010Wood, metal, water dispenser
192 x 186 x 168 inches (488 x 472 x 427 cm) -
Dead Labor Day, 2010Wood, metal, water dispenser
192 x 186 x 168 inches (488 x 472 x 427 cm) -
200 Years of White Lies, End White Supremacy, Ask Us What We Want, This is Freedom, 2008Electric signs with vinyl text
Dimensions variable
Installation view, Museum of Contemporary Art, Biennale of Sydney -
Natural History Part 1, 2007Mixed media
12 x 96 x 144 inches (31 x 244 x 366 cm) -
Natural History Part 2, 2007Mixed media
12 x 72 x 144 inches (31 x 183 x 366 cm) -
Natural History Part 4, 2007Mixed media
12 x 60 x 60 inches (31 x 152 x 152 cm) -
Natural History Part 1–3, 2007Mixed media
Dimensions variable -
Break It/Fix It (collaboration with Monica Bonvinci), 2003Installation view, Secession, Vienna -
Break It/Fix It (collaboration with Monica Bonvinci), 2003Installation view, Secession, Vienna -
We Are the People, 2003Electric sign with vinyl text
48 x 77 x 11 inches (122 x 197 x 28 cm)
Installation view, Project Row Houses, Houston -
Call and Response, 2002C-print
45 x 90 inches (114 x 229 cm) -
Landscape Art (Emory Douglas), 2002C-print
50 x 66 inches (127 x 168 cm) -
US Historian, 2002C-print
50 x 66 inches (127 x 168 cm) -
Direction Through Indirection (Outerspace Employment Agency by Sun Ra) Bronze Version (Walker Art Center Garden Project with Audio Narrative, Ojibwe, Lakota and Dakota Truths), 2003Bronze, stainless steel, speakers, audio system
66 1/2 x 74 x 60 inches (169 x 188 x 152 cm) -
Tangled, Chaotic, Discontinuous, Senseless, Inverted, Rational, Uniform, Structured, Ordered, Reversed, 2001Fiberglass, wood, mirror
48 x 48 x 48 inches (122 x 122 x 122 cm)
Like, Man, I’m Tired of Waiting, 2001Electric sign with vinyl text
59 x 65 3/4 x 8 1/2 inches (150 x 167 x 22 cm) -
Proposal for Monument in Friendship Park, Jacksonville, FL, 2003Wood, fiberglass, paint, aluminum, glass, paper, audio system, turntables, record albums, plastic, metal, trash can,
miscellaneous hardware
120 x 168 x 228 inches (305 x 427 x 579 cm) -
Proposal for Monument in Friendship Park, Jacksonville, FL (detail), 2003Wood, fiberglass, paint, aluminum, glass, paper, audio system, turntables, record albums, plastic, metal, trash can,
miscellaneous hardware
120 x 168 x 228 inches (305 x 427 x 579 cm) -
Abandoned House #1, 1994Foam core, cardboard, Plexiglas, tape, spray enamel, wood, metal
30 x 30 1/4 x 5 inches (76 x 77 x 13 cm) -
Abandoned House #3, 1994Foam core, cardboard, Plexiglas, tape, spray enamel, wood, metal
32 x 32 x 4 1/2 inches (83 x 83 x 11 cm) -
Beer Bong, 1994Collage on photocopy
7 1/2 x 10 inches (19 x 25 cm) -
Modern Moon, 1994Collage on photocopy
7 1/2 x 10 inches (19 x 25 cm)
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Catriona Jeffries © 2012
274 East 1st Avenue
Vancouver, British Columbia
V5t 1a6 Canadagallery@catrionajeffries.com
+1 604 736 1554