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Installation view, Catriona Jeffries, Vancouver, 2013 -
Installation view, Catriona Jeffries, Vancouver, 2013 -
Buffy Sainte-Marie (Illumination: 1969/2013) Keeper of the Fire 01, 2013Screen resolution LightJet print mounted on dibond
96 x 40 inches (101.5 x 244 cm) -
Sly & the Family Stone (Interval: 1971/2013) Thank You (Falletinme Be Mice Elf Agin) 04, 2013Screen resolution LightJet print mounted on dibond
30 x 40 inches (76 x 101.5 cm) -
Pat & Lolly Vegas (Interval: 1965/2013) Write Me, Baby 01, 2013Screen resolution LightJet print mounted on dibond
30 x 96 inches (76 x 244 cm) -
Pat & Lolly Vegas (Interval: 1965/2013) Write Me, Baby 02, 2013Screen resolution LightJet print mounted on dibond
30 x 96 inches (76 x 244 cm) -
Lucky X Lager 8, 2012Photocopy on salmon coloured paper -
Rez Gas (6336 Vedder Rd, Chilliwack, BC V2R 1C8), 2012Sunlight, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
Rez Gas (Ir 10 Rd, Squamish-Lillooet C, BC V0N 2K0), 2012Sunlight, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
Rez Gas (1675 St Georges Rd, Thompson-Nicola I, BC V0K 2L0), 2012Sunlight, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
captured speech writing back: Toronto, 2012Public Signage
33 ¼ x 19 feet (101 x 58 m)
Installation view, Tools for Conviviality, The Power Plant, Toronto, 2012 -
an other cosmos (genesis, trouble, disaggregation, departure), 2012Adhesive-backed inkjet media, frame
Each 36 x 48 (91.5 x 122 cm)>
Installation view, Beat Nation, Vancouver Art Gallery, 2012 -
an other cosmos: trouble, 2012Adhesive-backed inkjet media, frame
36 x 48 (91.5 x 122 cm) -
an other cosmos: trouble, 2012Adhesive-backed inkjet media, frame
36 x 48 (91.5 x 122 cm) -
an other cosmos: disaggregation, 2012Adhesive-backed inkjet media, frame
36 x 48 (91.5 x 122 cm) -
an other cosmos: disaggregation, 2012Adhesive-backed inkjet media, frame
36 x 48 (91.5 x 122 cm) -
The Writing Lesson: Seattle, 2012Vinyl text, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
The Writing Lessons: Kanesatake, 2012Sunlight, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
The Writing Lessons: Massett, 2012Sunlight, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
The Writing Lessons: Spuzzum, 2012Sunlight, construction paper, acrylic glass
20 x 24 inches (61 x 51 cm) -
Notes on Two Letters: 1958/1965, 2011 -
Contingent Matters, 2011Vinyl banners
Each 240 x 120 inches (610 x 305 cm) -
Contingent Matters, 2011Vinyl banners
240 x 120 inches (610 x 305 cm) -
Contingent Matters, 2011Vinyl banners
240 x 120 inches (610 x 305 cm) -
Makeshift and Makeshift I, II, III, 2010–2012Inkjet prints, painter’s tape
60 x 108 inches (152.5 x 274 cm) -
All That Was, Will Always Have Been, Somehow Never Again, 2010Public signage
60 x 108 inches (152.5 x 274 cm) -
The Ever-Changing Light, 2010Various installation componentse
Dimensions variable -
The Ever-Changing Light (detail), 2010Various installation componentse
Dimensions variable -
BEGINNINGS AND LATECOMERS, 2009Stringed lights, yellow cedar
96 x 60 x 60 inches (244 x 152.5 x 152.5 cm) -
Would you like to start again at the beginning?, 2008Stringed-lights
96 x 48 x 48 inches (244 x 122 cm) -
Expanding Fields, 2008Stringed-lights, plywood, hardware
121 x 60 inches (307 x 152.5 cm) -
Installation view, The Sooner the Better Late Than Never, Morris and Helen Belkin Art Gallery, Vancouver, 2008
96 x 48 x 48 inches (244 x 122 cm) -
Symptom of the Universe, 2007Laminated photocopies
20 x 11 inches (41 x 51 cm) -
Symptom of the Universe, 2007Laminated photocopies
20 x 11 inches (41 x 51 cm)
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Catriona Jeffries © 2013
274 East 1st Avenue
Vancouver, British Columbia
V5t 1a6 Canadagallery@catrionajeffries.com
+1 604 736 1554